Category: All Lots

A collection of prints, etc., comprising antique engravings, decorative prints, a map, a botanical study, a photograph, etc., including after L.F. Abbott, 'To the Society of Goffers, Blackheath' (largest 76 x 100 cm), most framed (quantity)

Elisabeth Louise Rose, oil on canvas still life "Grapes and walnuts", signed (25 x 33 cm), and Edwin S. Grigg, a 19th century oils on canvas, an interior, 'The reading lesson', signed, both framed (2)

A selection of eight modern watercolours and mixed-method coloured prints, some signed, various hands, including Lisa Muler, 'Liquorice Allsorts', signed and dated 78, Leonard Manasseh mixed method and varnish '…shepherd's delight…', signed with initials and dated (largest 45 x 31 cm) (8)

A set of four framed limited edition coloured prints after the designs for 'The costumes for the Bolshoi Nutcracker 1919', and various other decorative prints (quantity)

S.R. Brightwell, three framed etchings of animals, comprising 'Home with the Milk', 'Far from Home' and another of penguins, all signed in pencil and titled in the margin (largest 22 x 39 cm) (3)

A collection of six oils, signed by various artists, including a field of poppies, sunflowers, palm trees, etc. (largest 100 x 81 cm) (6)

A.W. Williams, a pair of watercolours, "Cottage by a river with punts" and "A farm track with geese", both signed (37 x 65 cm), period gilt frames (2)

A selection of various prints comprising Vanity Fair 'Spy' prints of snooker players, a miniature coloured stipple engraving of a portrait of the Earl of Moira, all framed, and a framed signature of Victoria, Dowager Empress Frederick and Queen of Prussia, Bordighera, March 1899, etc. (8)

WITHDRAWN

W. Callow, a watercolour, 'On the Rhine', signed (22 x 34 cm), together with a 19th century watercolour heightened with white of 'The castle town of Almanga Valencia from the battlefield', inscribed and signed with initials C.S. and dated 1861, both framed (2)

A mixed lot of framed an unframed pictures including F. Wheatley stipple engravings, a coloured print of a young seamstress, oils on canvas of a woodland stream, a watercolour of a Cotswold village, etc. (quantity)

A collection of various Japanese and Chinese framed silk pictures and a parcel-gilt and carved wood Chinese furniture panel, etc. (largest 56 x 50 cm) (8)

A miscellaneous selection of various prints, comprising Hogarth engravings, Le Blond prints, a watercolour portrait, and a framed tinted photograph of a baby, etc. (quantity)

L. Roberts, a pair of oils on canvas landscapes, one of corn stooks on a cliff top, the other of a broad winding river, both indistinctly signed (each 49 x 29 cm), framed (2)

Wallinger, oils on canvas, a Mediterranean port scene, signed, together with an oils on canvas of a coastal view, indistinctly signed (largest 48 x 70 cm), both framed (2)

E.S. Hardy, watercolour, a biblical scene, figures in a vineyard, signed (48 x 34 cm), framed

An early 19th century English provincial school oils on canvas portrait of a child in a fancy lace hat (30 x 24 cm), framed

A good selection of 19th and 20th century portraits by various hands, including a portrait of Field Marshal Montgomery, in uniform, an unfinished portrait of a woman in Breton costume, etc. (largest 41 x 33 cm). (8)

J. Clark, a pair of watercolours of Italian lakeside scenes, both signed (24 x 16 cm), framed (2)

J. Dobie, a watercolour of a Continental church, signed, together with J.E. Kopecky, an etching of silver birch by a stream, signed and numbered in pencil in the margin, etc. (4)

Nicholas Egon, chalk and pastel on toned paper, 'Desert Arab with camel' and 'Camel cow and calf', both signed (largest 48 x 60 cm), gilt frames (2)

The 6th Earl of Essex, watercolour on grey paper, a view of the towers of Westminster Abbey from the Serpentine bridge (with provenance and information labels on reverse), and a collection of watercolours including an Alan Taylor of a bird and butterfly (9)

H. Lavacek, 19th century, oils panel, at Villa Mayer (14 x 21 cm), in a Dutch ebonised ripple frame

After David Roberts, two lithographs of Middle Eastern landscapes, and a set of six coloured engravings of the Ottoman war (largest 30 x 50 cm), all framed (8)

William Frederick Austin, watercolour and bodycolour, 'Middleton Tower, Norfolk', signed and dated 1865 (oval, 34 x 51 cm), framed

C. Walters, oils on canvas, a Lakeland view, signed, together with a cast bronze photograph frame, and two modern prints (largest 70 x 54 cm) (4)

E. Charles, oils on board of a steam locomotive, signed and dated 81 (29 x 39 cm), framed

E.L., oils on board, a fly fisherman by a placid pool on a river, signed with initials (27 x 17 cm), swept frame, together with W.H. Britton, oils on board, an angler playing a fish, signed, framed (2)

A collection of nine various framed items, comprising Japanese panels, modern prints and a watercolour, and including a Tamara de Lempicka poster, an Alpine school watercolour, etc. (largest 50 x 68 cm) (9)

James Stark, oils on panel, figures in a rural landscape, rough shooting (35 x 25 cm), gilt swept frame

Hilton, a 19th century watercolour of a figure on a path by a cottage beside a bridge, signed (25 x 37 cm), and W. Langley, watercolour, sailing boats on a lake, signed and dated 1891, both framed (2)

George B. Willcock, oils on canvas, rural landscape with faggot gatherers on a path beside a river with cattle watering, indistinctly signed (37 x 52 cm), swept gilt frame

Continental school, 19th century, oil on metal, an interior with a musician and a young woman, indistinctly signed (24 x 20 cm), parcel gilt frame

Oils on board, chickens around a tumbledown barn (14 x 21 cm), framed

Elie Abrahami, a surreal double portrait, the image signed and dated 77; Alma Vorster, a soft ground etching (1/15), signed, dated 1990, and numbered in pencil in the margin, together with a gouache by Daniel Harford, 'Pool-side in shorts', signed, and a mixed method coloured print by Angela Lemane (1967), 'Man and Machine' (largest 60 x 50 cm), all framed (4)

John Linfield, watercolour, 'The Vicarage Garden, Bradford-on-Avon', signed (31 x 46 cm), frame with Mall Gallery and New English Art Club exhibition labels on the reverse; together with 10 other framed watercolours, including Peter Fraser, S. Rowe, M. Morten, etc. (11)

Alan Ingham, a limited edition coloured print, 'In the still of the morning', signed, titled and numbered in pencil in the margin (26 x 73 cm), framed, together with a quantity of framed decorative prints (quantity)

A collection of decorative prints including nursery pictures after E.H. Shepard of Christopher Robin and Friends, naive coloured prints of Continental family life, flower pictures, landscapes, etc., all framed (quantity)

G. Weissboot, oils on board, still life of anemones in a glass vase, signed and dated 1940 (40 x 30 cm), framed

Singa All….., a mixed method cut-out and applied images on hand-made paper heightened with wood and feathers of a Masai family, signed (78 x 98 cm), framed

After Leonard R. Squirrell, a large coloured lithograph of a Cotswold village green, signed in the block (80 x 120 cm), framed

Hedi Schick an oils on canvas portrait of a blue-eyed Rabbi, signed (59 x 49 cm), gilt and pierced swept frame; together with a modern oils on board , view of a port, indistinctly signed. (2)

An early 19th century English school watercolour by David Cox, a ruined windmill by a winding river (32 x 50 cm), framed.

T.L. Rowbotham, a watercolour of an Italian Alpine lake, signed and dated 1863 (18 x 48 cm) signed.

P.A. Adams, oils on board, a wet and windy street signed and dated 1977, and again indistinctly in the opposite corner (31 x 61 cm).

G. Sparrow, a watercolour of a fox in a winter landscape "The old customer, Old Park Farm", with labels of provenance on reverse (24 x 34 cm) framed, sold together with a print and a photograph. (3)

After David Shepherd, a limited edition coloured print "The Evening of the Elephant", signed and numbered in pencil in the margin (41 x 75 cm) framed.

A late 19th century pastel on paper of a pair of kingfishers perched on a willow over a stream (44 x 33cm) framed.

Tomay de Winter, a mixed method modern still life, a vase of flowers, heightened with "silver", signed, and another similar (largest measures 50 x 98 cm), and a hot-stamped and embossed "bejewelled" dancing girl, all framed. (3)

D. Pitcock, oils on canvas, cattle grazing on a meadow shaded by trees with farm building in the background, signed (37 x 49 cm), gilt swept frame.

Ouild Aquino, oils on canvas "O Casarao", signed, circa 1987 (18 x 24 cm), framed, together with M. Eversfield, oil on canvas, "The canal at 'Little Venice'" signed, an oil on board of an arched bridge over a stream, indistinctly signed, and an oils on canvas by N.J. Tees, a woodland path signed with initials, all framed. (4)

W. Redworth, oils on board, cattle and a drover peering into the water from a fenced path, signed (42 x 28 cm), gilt frame

B.A., oils on board, penguins and polar bears in a snowy landscape, signed with initials, together with a watercolour by Martin Henry, "Orca Dawn", signed (the largest 29 x 40 cm), both framed. (2)

D. Gallie, a pair of 1930s romantic naive watercolours, "Elopement" and "Serenade", both signed (49 x 22 cm) (arched top), framed. (2)

After G.G. Kilburne, watercolour, an interior with figures, two W.J. Leslie Simmonds rural narrative pictures, and three other framed watercolours (largest 38 x 52 cm), all framed. (6)

Arturo Cavalli, oils on canvas, 'Sedia Rossa/Notte', a red deck chair by night, signed and dated 1960 (81 x 70 cm), reverse with artist's label

F.Salutie, watercolour, an extensive Alpine landscape with grazing cattle in the foreground, indistinctly signed and dated 1814 (36 x 48 cm), period frame with remnants of gold leaf.

After Steve O'Connell, a set of five limited edition prints of young ballerinas, signed in pencil and numbered in the margin (15 x 24 cm), all framed. (5)

Laura Tucker, a pair of oval pastels of summer flowers, each signed and dated 1869 and 1870 (each oval 33 cm high); a James Cole oil on canvas of a Continental lake scene; a watercolour of flowers and an oils on canvas of a vase of flowers, all framed (5)

Oils on canvas, a still life of apples on a cloth, and a gouache still life of books, coffee pot and candlestick on a tray, indistinctly signed (largest 39 x 47 cm), both framed (2)

Roux, an oils on canvas of a busy square in a large Continental town, signed (54 x 73 cm).

G Weisbort, oils on board, still life of armour, brassware and an Arab knife, signed and dated 1955 (38 x 57 cm) framed.

Van Gill, a watercolour of a small fishing harbour, signed, a gouache still life of flowers, another watercolour "The Thames at Brentford", and an oils on canvas of a schooner (largest 37 x 51 cm), all framed. (4)

An early 19th century pen and watercolour wash of a romantic rural idyll, together with a steel etching of a landscape, after Serrier (largest 30 x 48 cm), both framed. (2)

H.G. Heward, an oils on canvas "Arundel Castle from the river" signed and dated 1954 (34 x 44 cm) in a gilt swept frame.

Aubrey, oils on board, a rocky mountain river, signed (28 x 74 cm) framed.

Samuel Prout, pencil and watercolour wash, figures by an overshot watermill (29 x 20 cm), framed.

A collection of watercolours including F.M Fraser, watercolour, "On the Wey, Surrey", signed, a pair of gouache moorland scenes, etc. all framed. (6)

Herbert Oakley, a watercolour of barges on an industrial canal, signed (29 x 44 cm), gilt swept frame.

C. Cortissos, oils on canvas, a figure on a woodland path, signed (25 x 17 cm), framed, together with Frank Martelmans, oil on panel, "Spring Blossom", signed on reverse, framed, and another oils on board of a snowy landscape. (3)

Lochoer, oils on canvas, a chalet in an Alpine valley, signed (34 x 44 cm), gilt swept frame.

Jean Laforgue, watercolour, the Caryatid Porch of the Erechtheion, Athens, signed (62 x 48 cm).

T.W.O., a watercolour portrait of a young woman, signed with monogram and dated 1885 (44 x 36 cm) framed.

Stephen Kaye, mixed method on canvas, a large display of flowers, signed (120 x 150 cm) framed.

Jane Scott, gouache, 'Early morning, St Ives', together with a modern abstract of a colourful motorbike, and a large coloured print, 'Morning Glory', after Carl Kenzler, a seascape (largest 58 x 89 cm), all framed (3)

A.B. a pen and ink of a female nude reading a book in a four-poster bed, signed with initials and dated 1978, sold with Peter Miller, a pencil drawing story board of a soldier at the front, signed and dated 1967, and a pastel of a traditional landscape. (3)

W Collins, a pair of oils on board, views of mountain streams, both signed (44 x 32 cm) and framed. (2)

J. Sumpter, a pair of gouache views of Dartmoor, both signed (17 x 35 cm) and framed, together with a watercolour heightened with white, view of a broad river, signed. (3)

C. Costa, oils on canvas, 16th century soldiers playing dice, signed (60 x 49 cm), parcel gilt swept frame, and J. Meissonier, oils on canvas, "The Connosieurs", signed. (2)

Two early 20th century watercolour landscapes and a mixed media by Hal Hurst RI, RBA "Lovers' Secrets at the Lake" signed (the largest 37 x 50 cm) all framed. (3)

Richard Westall, oils on panel, a sleeping woman and child, signed (19 x 17 cm), gilt frame.

P. Nasmyth, oils on board, ferry on a loch with figures and horses on the shore, signed (32 x 43 cm), Victorian gilt swept frame.

Robert Nicolson, a pair of limited edition coloured prints of historic rugby and cricket events at Rugby School, signed and numbered in pencil in the margin (32 x 42 cm) both framed. (2)

Leopold Rivers, watercolour, a goose girl homeward bound at sunset, signed (46 x 76 cm), framed.

Paulicevic Ante (?), oils on canvas, "The Old Port, Dubrovnik 1975" signed (46 x 66 cm), framed, together with a Continental oil on canvas landscape with a river and hillside, and a large watercolour. (3)

Timak, oils on canvas, a washer-woman on the banks of a river opposite a watermill, signed (64 x 80 cm), gilt frame.

A mixed lot of framed items comprising gouaches, watercolours and prints, etc., including Emile Bernard, sepia watercolour of an ancient forest tree, signed and dated 1913, etc. (the largest 44 x 56 cm) (9)

A collection of six various flower pictures including a watercolour by Penny Ward, an oil on canvas "Tulips in a jug" signed, E. Cuther watercolour of a sunflower, signed, another by Cuther of hedgerow berries, and a botanical study of daffodils, poppies and violets (largest 59 x 45 cm), all framed. (6)

A collection of nine pictures, Scheila Keyaru a framed oils on board abstract forest design, signed, Wilson an oils on canvas "Farmland", V. Gleave abstract composition in oils on board, V. Bud oils on paper colourful abstract image, signed, etc. (largest 100 x 81 cm). (9)

A large framed photographic image of Ray Charles at the piano (100 x 65 cm), framed, and a framed 67th Academy "Oscar" awards poster (March 1997) dedicated and signed by Arnold Schwartzman (2)

Ant. De Vaere, oils on board, back street of a Continental town, signed, an oils on canvas of an ancient city arched gate, indistinctly signed, and J.M. Person, oils on paper laid to board, a back street in an old French town, signed (the largest 49 x 43 cm) all framed. (3)

Robert Morden, an engraved and hand-coloured map of 'Bark shire', together with a Biddy Bunzl poster and another (largest 60 x 49 cm), all framed (3)

After Sturgeon, a coloured print "Cricket on the village green", another cricket print and a golfing print, a print of a Cumberland landscape and a picture of a Middle Eastern walled town indistinctly signed (largest 40 x 69 cm), all framed. (5)

T.H. Lambright, oils on board, a lane behind cottages, signed (47 x 66 cm), gilt swept frame, together with a late 19th/early 20th century oils on canvas, a narrow street in a provincial town, indistinctly signed, framed (2)

Edward Oldham, oils on canvas, "Bull baiting with dogs", signed and dated '32 (74 x 112 cm)

Roy Belington, a pair of watercolours heightened with white, "Hampshire angling haunts", both signed (33 x 44 cm) and framed. (2)

Continental school, 19th century, oils on canvas, stormy skies over an extensive landscape with farm buildings, indistinctly signed bottom left (98 x 132 cm), framed

A pair of 19th century over-painted photographs of high-ranking officers, posing in full dress uniforms, with sashes and medals, each within a highly decorative gilt frame inset within velvet-lined rosewood box frames (image 28 x 18 cm, overall 40 x 35 cm) (2)

An interesting selection of five framed items, including a lithograph after H. Matiso "A figure study", a pencil and watercolour of a fashionable woman, a map of Moscow, watercolour landscape and a military print. (5)

A collection of seven various framed pictures, including: Lacy Dunt a pastel study of "Sunflowers", Jenny Michalson an artist's proof "Mussel Beds at Granville" signed, Hugh Hallett, a pastel portrait of a sleeping youth, signed, and a Lucy Crewdson watercolour "Summer in the Dordogne" signed with initials (with Mall Gallery 1995 exhibition label on the reverse) etc. (the largest 32 x 41 cm) all framed. (7)