Category: All Lots

After Marcellus Laroon or Lauron, a set of nine antique engravings, street vendors' cries (image size 22 x 16 cm), all framed (9)

After Thomas Rowlandson, a set of five coloured caricature engravings, 'The Miseries' (23 x 32 cm), all framed (5)

After William Hogarth, an engraving, 'The Pit Ticket' (30 x 37 cm), framed, together with four unframed but mounted 18th century caricatures (5)

A carton of unframed antique prints, engraved maps, legal documents, etc. (quantity) [on table opposite collectors' shelves]

A set of 23 unframed coloured prints after various Japanese master woodblock artists (34 x 22 cm), contained in a silk-covered box file (23) [on table opposite collectors' shelves]

A quantity of unframed prints and antique newspaper cuttings contained in a quarter-leather-bound folio (quantity) [on table opposite collectors' shelves]

After George Stubbs, two framed 1974 restrike engravings: 'Tygers at Play' and 'The Spanish Pointer' (largest 39 x 52 cm), both framed (2)

After George Morland, a pair of coloured prints of rural narratives (each 40 x 50 cm), gilt frames (2)

Frederick Thomas Underhill, a 19th century oils on canvas, 'The Shepherd Boy' (26 x 31 cm), gilt swept frame

A pair of chromolithographs of children in a dog cart, and a 19th century woolwork picture of a man in his study reading a newspaper (largest 60 x 50 cm), all three in bird's eye maple frames (3)

Three pairs of antique prints in verre eglomise mounts, in thre sizes, including 'The Shepherd' and 'Shepherdess' (largest 20 x 17 cm), all framed (6)

Five antique pictures, comprising a pencil drawing of a girl with a bird's nest, a line engraving of a shepherdess, an oval watercolour of a boy by candlelight, and a pair of neoclassical women and children after Buck with watercolour friezes (largest 24 x 30 cm), all framed (5)

A set of six small coloured engraved satirical 'Visitor' caricatures; a small 1806 print: 'The Christmas Pudding'; and an 1822 title page 'Symptoms of Being Amused' (largest 22 x 26 cm), all framed (8)

A good selection of small framed antique prints, including a set of six 'Child's Cries', a pair in period maple frames, etc. (largest 13 x 19 cm) (15)

Ernest Stuart, a watercolour, 'Rough waters in the Solent', signed (26 x 73 cm), framed

G. Jowett, a coloured mezzotint of a mother and child after an 18th century picture, signed in pencil in the margin (41 x 27 cm), framed

Arthur H. Davis, an oils on canvas, 'Brown of a hill, Witley, Surrey', signed and dated 1876 (30 x 50 cm), gilt frame

A pair of 19th century oils on board, 'A ripe cornfield' and 'Sunset by a pool' (15 x 20 cm), both framed (2)

W.H. Wilkinson, a pair of watercolours of broad river landscapes below brooding skies, both signed (each 42 x 54 cm), original gilt frames (2)

L. Aubinier (?), a grisaille oils on canvas, a woodland river, signed (35 x 25 cm), gilt frame

A mixed lot of prints and an oil, including pictures after Impressionists and cartoons of card-playing dogs after Coolidge (quantity) [end of collectors' shelves by cafe door]

J. Warner, an acrylic on canvas, 'The Last Furlong', signed (60 x 90 cm), framed

A folio of unframed facsimile prints, etc. (quantity)

A large pair of steel etchings, views of Maidstone and Leatherhead, and a marine prints of Thames barges in the estuary signed Alex. Mortimer and E.N. Donnard in pencil in the margin, wood frames

Three R. Havell coloured engravings of 'Village at Shai', 'The Fort at Jytock', and 'The Town of Rampore' (45 x 60 cm), all framed )3)

A collection of nine various framed prints and photographs (9)

An Italian antique line engraving of the infant Christ, an antique stipple engraving of a Bacchanalian infant imbibing wine, and another print (largest 22 x 27 cm), all framed (3)

After F. Robson, six various framed facsimile etchings (6)

S.S., a pair of oils on canvas, 'Fruit of the Vine', signed with initials (96 x 39 cm), both framed (2)

A miscellaneous selection of framed prints, including limited editions relating to golf and horse racing, etc. (quantity) [floor at end of table opposite collectors' shelves]

F. Walmsley, a watercolour of a water mill by a pond, signed and dated 1889 (22 x 31 cm), framed

Wileman, an oils on board, 'Cove – Loch Ewe', signed (30 x 60 cm), framed; together with two modern framed pictures (3)

Alfred Bird, a 19th century pen and ink, Adoration in the Manger, c.1867; together with an oils on canvas still life by Kennedy, signed, and two other oils (largest 50 x 30 cm) (4)

An antique hand-coloured engraved map of Cheshire (27 x 31 cm), framed

Roni, a pair of gilt-framed small oils on panel, Romantic landscapes, each signed (9 x 14 cm) (2)

Frank Short, a mezzotint, the Thames by moonlight, signed in pencil in the margin (30 x 45 cm), framed

Percival Gaskell, a mezzotint, a ruined abbey by a river, signed in pencil in the margin (35 x 55 cm), framed

P.Mendoza, a near pair of oils on panel portraits of cigarette-smoking Gypsies, both signed (20 x 14 cm), framed (2)

Sewiec, an oils on canvas still life with a lobster, signed, another by Sewiec, tulips, and four other pictures (largest 43 x 58 cm), all framed (6)

A mixed lot including a marquetry panel, a bas relief, a framed oils, flowers in a vase, indistinctly signed, and other framed pictures (quantity)

A framed equestrian portrait, and two framed prints (3)

W. Eger, mid-20th century, oils on canvas, 'The Sultan Ahmet Mosque, Istanbul', signed (41 x 82 cm), framed

An oils on canvas Alpine scene in swept frame, and two other framed pictures (3)

A set of three original pen and wash captioned cartoons, all signed (17 x 14 cm), framed (3)

G. Wilton, an oils on canvas, boats on the Broads, signed (40 x 80 cm), framed

Fettik (?), oils on canvas, a continental street scene, indistinctly signed and dated '66 (49 x 60 cm), framed

Guy Cambier, a pair of oils on panel, a landscape and a village scene, signed (20 x 26 cm), decorative gilt frames (2)

David Gentleman, a pen and wash, 'The Old Clock Tower', signed (18 x 23 cm), framed

W. Da***, an oils on canvas beach scene with boats, indistinctly signed (60 x 90 cm), framed

Pascual (?), oils on canvas, Mediterranean coast with cottage, signed (45 x 36 cm), framed

C.H. Thompson, an oils on board, the artist as a young man, signed and dated 1949, and a watercolour self-portrait (largest 20 x 16 cm), both unframed (2) [table opposite collectors' shelves]

C.H. Thompson, a approximately 90 unframed watercolours, landscapes, marine and street scenes, etc. (quantity) [floor by table opposite collectors' shelves]

C.H. Thompson, a collection of drawings and watercolours, portraits and figure studies (quantity) [end of silver-plate shelves by stairs]

C.H. Thompson, a selection of oils and watercolours, figure studies, landscapes, etc. (quantity) [floor, top of stairs]

C.H. Thompson, approximately 156 unframed watercolour landscapes, architectural and street scenes, etc. (quantity) [top of stairs]

After David Shepherd, an artist's signed proof coloured print, 'The last load of summer' (21 x 39 cm), framed [end of silver shelves]

Marion Broom, watercolour, a vase of spring flowers, signed (77 x 55 cm), decorative gilt frame

A pair of early 20th century oils on card, coastal scenes, indistinctly signed (18 x 20 cm), both framed (2)

G. Frati, an oils on canvas, 'S. Satiro, Milano', signed, inscribed verso (64 x 49 cm), framed