Category: All Lots

A mixed lot of framed items, comprising a circular oils on board still life of woodland flowers, a still life on canvas of a violin and wine bottle, and various framed prints, etc. (7)

Sanyo, a framed large ink and black watercolour on paper of a crouching Sumo wrestler, signed; together with many other framed items including prints, etc. (largest 60 x 40 cm) (19)

After Marcellus Laroon or Lauron, a set of nine antique engravings, street vendors' cries (image size 22 x 16 cm), all framed (9)

Edith F. Salmon, three oils on panel landscapes with rivers, including the Kennet, all signed with initials (largest 25 x 35 cm), all framed (3)

A selection of facsimile prints and engravings, including maps, some framed (quantity) [table by cafe door]

After George Stubbs, two framed 1974 restrike engravings: 'Tygers at Play' and 'The Spanish Pointer' (largest 39 x 52 cm), both framed (2)

An interesting collection of vintage Spanish bullfighting posters, together with a good selection of art exhibition posters (quantity)

Two fine 19th century pencil drawings, 'The Defence' and 'The Taking of the Eagle Standard at Waterloo', one signed W.B.B.S. and dated 1889, together with a news cutting (56 x 70 cm) (3)

Llewellyn Petley-Jones (1908-1986), a watercolour, 'Boat House at Twickenham', signed and dated (40×60 cm), unframed [table by cafe door]

Llewellyn Petley-Jones (1908-1986), oils on canvas, 'Houses across the River', signed and dated 1954 (26 x 33 cm), framed

Margaret Whitehead, oils on canvas, a back street in a Greek village, signed with initials, (40 x50 cm), framed

Margaret Whitehead, watercolour with applied foils, etc., 'Pomegranates', signed with initials (32 x 43 cm), framed

Margaret Whitehead, oils on board still life of onions with a cooking pot, signed with initials (35 x 45 cm), framed

Reg Hemisly, three oils on board, Sussex coastal scenes, one signed (58 x 82 cm), all framed (3)

Two framed drawings and a 19th century French engraving after Fragonard (3)

A mixed lot of framed prints, a modern wall clock, and a 19th century rosewood-framed print (quantity)

Two framed reproduction prints and two large reproduction maps (4)

A set of 10 framed antique coloured prints of British birds (17 x 11 cm) (10)

An Oxford-framed Baxter print and an oval framed equestrian portrait (2) [end wall by cafe door]

An early 19th century oils on canvas portrait of a girl and her dog (90 x 70 cm), heavy gilt swept frame

An oils on panel, 'The Armourer' (26 x 20 cm), framed

A mixed lot of framed items comprising antique hunting prints, armorial designs, a watercolour, etc. (9) [end of collectors' shelves near jewellery]

W.H. Wilkinson, a pair of watercolours of broad river landscapes below brooding skies, both signed (each 42 x 54 cm), original gilt frames (2)

L. Aubinier (?), a grisaille oils on canvas, a woodland river, signed (35 x 25 cm), gilt frame

F.K., a framed watercolour of Venice, signed with initials (24 x 32 cm), framed

Two framed limited edition coloured prints, French, indistinctly signed ?Jean-Marc …, of a cat in a basket dated 1982, and of a cornfield dated 1981, signed, (the second 63 x 90 cm) (2)

Jacquie Jones, a modern oils on canvas, 'The Strict Queen', signed (91 x 91 cm), unframed

Ruttel, a framed limited edition coloured print, 'The Millennium Dome', signed, and a framed pastel of a rocky shoreline, together with two framed prints (4)

[Lots 47-72 by the artist Anna Mayerson (b. 1906, Austria, d. 1984, London), and from her estate. She signed usually thus, as Mayerson (or with initials A.M.), although earlier, as an Austrian refugee Jew, she used the form Mayersohn. The form Meyrson also occurs. Mayerson studied at the Kunstgewerbemuseum, Zurich, and at the Art Academy, Vienna, and after emigrating from Vienna to London in 1938 at the Slade School. She exhibited at the Modern Art Gallery, in a solo exhibition at the Leger Gallery (1943), at the Redfern Gallery (with others including Graham Sutherland, 1948), and at the Hanover Gallery, London. She also had solo exhibitions in Rome (1961) and London (1972). She moved to Taormina in 1949 (see lot 71, 'Sicilian family'), returning to London in 1959.] Anna Mayerson, a mixed media on paper, portrait of a young woman with flowers (51 x 36 cm), unframed (PROVENANCE: From the estate of Gillian Beckles)[silver shelves]

Anna Mayerson, a framed pen and ink 'Boy' and by the same hand a pen and acrylic 'Figure' (largest 73 x 47 cm) (2) (PROVENANCE: From the estate of Gillian Beckles)

Anna Mayerson, mixed method abstract, 'The Nose', and another abstract with gourd, together with a mixed method portrait (largest 101 x 73 cm) (3) (PROVENANCE: From the estate of Gillian Beckles) [end of silver shelves]

Anna Mayerson, an oils on board of a seated female nude, signed with initials, together with a surreal abstract oils on board (largest 100 x 53 cm) (PROVENANCE: From the estate of Gillian Beckles) [railings by silver shelves]

Anna Mayerson, five various figure studies, pastel on paper, unframed (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, three large oils on canvas abstracts, signed (with oils verso), circa 1960s (largest 152 x 80 cm), unframed (3) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, a framed oils and bitumen on canvas abstract with applied industrial embellishments, signed and dated 1961 (94 x 118 cm) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, two unframed oil abstracts with high impasto (110 x 58 cm), and another panel (3) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, a framed charcoal and gouache figure study and two unframed drawings (64 x 49 cm) (3) (PROVENANCE: From the estate of Gillian Beckles)[hall]

Anna Mayerson, three unstretched oils on canvas, still lifes of fruit and a portrait (3) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, two unstretched oils on canvas 'prismatic' abstract portraits (2) (PROVENANCE: From the estate of Gillian Beckles) [in hall]

Anna Mayerson, six various unframed still lifes and abstract oils (6) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, seven various abstracts and still lifes, etc., unframed (7) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, an oils on canvas abstract figure study in brown and yellow (102 x 77 cm) (PROVENANCE: From the estate of Gillian Beckles) [hall by main door]

Anna Mayerson, an oils on board portrait, a semi-abstract of a violin, and an oils on board 'prismatic' portrait (largest 86 x 86 cm) (3) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, an oils and bitumen on canvas abstract face, signed with initials and dated 1965 (105 x 85 cm) (PROVENANCE: From the estate of Gillian Beckles)) [hall]

Anna Mayerson, an oils and bitumen on canvas abstract of a face (120 x 104 cm) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, an oils on board, 'Cello' (96 x 61 cm) (PROVENANCE: From the estate of Gillian Beckles)) [hall]

Anna Mayerson, an unframed oils on canvas abstract double portrait (85 x 70 cm) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, an unframed oils on canvas, 'Sicilian family', signed (105 x 76 cm) (PROVENANCE: From the estate of Gillian Beckles) [hall]

Anna Mayerson, a large quantity of pen, ink and coloured crayon illustrations for fairy tales by the artist (Part 1 & 2), together with a framed small duo of drawings, 'The Clown' and 'The Violinist' (quantity) (PROVENANCE: From the estate of Gillian Beckles) [silver shelves]

Six various framed watercolours, an oil, etc., and a frame, along with two other items (9) [end of silver shelves by silver-plate]

A late 18th/early 19th century silkwork picture of a Romantic landscape with an angler by a river (22 x 28 cm), framed

Dharbinders Bamrat, an oils on canvas study of a primate, signed (19 x 19 cm), framed

Elizabeth A. Brown, two framed watercolours: of a Saker Falcon and of a Kestrel, both signed, one dated 1994 (2)

H. Bagshawe, an oils on card of a crofter sharing his porridge with his collie, signed and dated 1911, and an antique stipple engraving of a country lane (largest 23 x 29 cm), both framed, the second in a good gilt frame (2)

P.Mendoza, a near pair of oils on panel portraits of cigarette-smoking Gypsies, both signed (20 x 14 cm), framed (2)

A mixed lot, comprising six framed items: an electrotype, an old military chromolithograph, three oils and a watercolour of an Arab camel rider by HS Lynton, signed and dated Cairo 1906 (6)

Sewiec, an oils on canvas still life with a lobster, signed, another by Sewiec, tulips, and four other pictures (largest 43 x 58 cm), all framed (6)

A mixed lot including a marquetry panel, a bas relief, a framed oils, flowers in a vase, indistinctly signed, and other framed pictures (quantity)

A large quantity of framed maps and engravings, including two modelled relief maps (quantity)

An interesting and extensive collection of various framed prints, watercolours, etc., including natural history studies, and a small collection of vacant gilt picture frames (quantity)

Four framed oils by various hands including of a continental villa garden by P. Burns (4)

Arthur Parsons, watercolour heightened with body colour, boats on a sandy beach, signed, and a Charles C. Currey watercolour, 'Montreux' (largest 18 x 35 cm), both framed (2)

Mr Mchisa, an oils on canvas, a modern exotic primitive painting, signed and dated 2003 (55 x 55 cm), unframed

An extensive selection of various framed prints, modern and traditional, some signed (quantity)

A. Oliver, an oils on board, a mountain pass in low cloud, signed (24 x 34 cm), framed