Category: All Lots

A collection of various framed 19th and early 20th century watercolours, drawings, etchings, etc., including a drawing by S.J. Ainsley (1820-1874), 'Cordova', a signed etching of an Arab horseman, and a pierced gilt frame (quantity)

Elsie Saggers, an oils on canvas board of a tabby cat, signed (29 x 24 cm), framed

Frederic Whiting (1874-1962), an oils on canvas portrait of a young woman in a decollete gown, her back to the artist, her head turned to sinister, signed (60 x 50 cm), framed

Raphael Theodore Roussel (1847-1926), an oils on canvas still life, 'Anemones No. 1', signed and dated 1932 (46 x 35 cm), framed

An early 19th century oils on canvas coastal scene with fishing boats in a rough sea by a fort, indistinctly signed A.J. E… (15 x 24 cm), framed

A late 19th/early 20th century oil sketch on panel, river with a bridge and a sailing barge (14 x 19 cm), framed

An early 20th century oils on panel of fishing boats on a grey morning, indistinctly signed (15 x 24 cm), framed

A 19th century oils on card, a landscape beneath stormy clouds (17 x 21 cm), framed

James Billingham Caughtrie (19th century), an oils on board of an estuary at sunset, signed and dated 1883 (25 x 36 cm), gilt swept frame

A 19th century copy of 'The Madonna of the rabbit', after Titian (original in the Cluny Museum), oils on board (36 x 30 cm), framed

A 19th century watercolour flower study, a 1927 study of pansies, two antique prints of lovers, and a coloured lino cut, all framed (5) [on table opposite collectors' shelves]

A pair of late 18th century oils on tin portraits of a man and a woman singing, together with a small antique stipple engraving, a watercolour, and two small modern etchings, all framed, etc. (quantity) [table opposite collectors' shelves]

A 19th century watercolour, together with two framed flower prints and a framed gouache of flowers in a vase (4)

12 various framed textile pictures, oils, watercolours, etc. (12) [under table opposite collectors' shelves]

A.S.G. Butler, pencil, watercolour and bodycolour, 'View of Bellagio', signed and dated 1929 and inscribed in pencil 'Menaggio' (27 x 19 cm), framed

Andrew M. Spittle, an oils on board of an Irish landscape, signed (22 x 29 cm), framed

A miscellaneous collection of nine various prints including sporting, 'Spy', a map, etc. (9)

WITHDRAWN

Samuel Alken, an oils on panel of a dog fight, signed (27 x 35 cm), gilt frame previously from the estate of Lady Pamela Paulet

A good collection of various framed items comprising exhibition posters, Chinese prints, sporting prints in maple frames, etc. (quantity)

16 various framed coloured prints after Monet, and a picture of a tiger after Turner, etc. (16)

A collection of Japanese and Chinese prints, framed photographs, two naive oils, 'Spring' and 'Winter', both signed with initial E, some Indo-Persian pictures, etc., most framed (12)

Four Georgian caricatures including 'Patience in a Punt' by Bunbury after Rowlandson (25 x 36 cm), all framed; and a large and miscellaneous selection of antique prints, drawings and watercolours, all unframed (quantity)

E. Fairhurst, three framed modern British etchings: 'The Cordwainer', 'The Cobbler's Rest' and 'The Andrea Farara', all signed and titled in pencil in the margin; and a framed photogravure (largest 32 x 27 cm) (4)

Unframed prints including chromolithographs of card games, pen and wash neoclassical studies, 1930s Prunier menus, etc. (quantity) [silver-plate shelves]

A selection of unframed, modern, coloured prints (largest 70 x 56 cm) (quantity) [silver-plate shelves]

A large collection of framed and unframed oils and prints, including still lifes, landscapes, etc. (quantity)

Madeleine Brennan, a pair of watercolours of idyllic farm scenes, both signed (36 x 51 cm), framed (2)

An early 20th century picture of a 19th century private in the 34th Foot, wearing uniform, signed; together with two framed continental beer advertisements (3)

Two 20th century oils on canvas, one of a lively shipping scene, the other a tranquil Dutch scene (largest 61 x 91 cm), both in swept frames (2)

A large and miscellaneous selection of various coloured prints, etc., including after Lowry and Doyley John, also Chinese pictures, antique engravings, etc. (quantity)

Anton Lock, an oils sketch on canvas of horses in a landscape, framed, also pencil studies of horses, modern works by various hands, etc., mostly framed (quantity)

Five Indian gouache miniatures including of a polo match (23 x 34 cm), a maiden with deer, lovers in a pavilion, riders on an elephant, etc. (5)

A collection of various framed items, including an oils on canvas coastal view, signed with initials, flower studies, watercolour landscapes, dog prints, etc., and a panoramic view of 'The New Palace, Westminster' (largest 40 x 90 cm) (quantity)

Two Chinese scroll pictures, one with fish, the other calligraphy [on staircase]

R. Ellmore(?), an oils on canvas, a Dutch townscape with frozen canal, indistinctly signed (50 x 75 cm), gilt swept frame

Continental School, 20th century, oils on board, barefoot girls outside a Southern church (28 x 76 cm), unframed; and two framed portraits, of a seated girl by M.-Th. Ralli, signed, and of a Chinese elder with a pipe, signed illegibly and dated 63 (?) (3)

A 20th century oils on canvas of a schooner in rough water, indistinctly signed (41 x 51 cm), unframed

A collection of five framed Japanese watercolour landscapes by various artists, Keishu, Juyo and H. Kato (5)

'B', two original lithographic travel posters for Devon and Cornwall, signed in the block 'B', circa 1930 (74 x 57 cm), both framed

After H. Bunbury, 11 hand-coloured prints, 'Instructions on how to ride a horse', published by Ackermans, circa 1800, all 11 mounted in one frame

Karl Kaudsch, oil on board, lake and landscape under a brooding sky, signed (73 x 88 cm); together with Sewiec, an oils on canvas still life with a lobster, signed, another by Sewiec, tulips, and four other pictures, all framed (quantity) [top of stairs]

Jess Down (1946-2016), an oils on canvas of 'Rowton', a thoroughbred bay gelding, signed with device (86 x 112 cm)

After Gustav Klimt, a print of 'The Kiss' (62 x 62 cm), framed

An oval gilt-framed mirror with bevelled edge