Category: All Lots

M.W., a watercolour, 'A carter's lane near Beer, Devon', signed with initials and dated 1891, W.H. Hinley, a watercolour, 'A young angler by a lock gate', signed and dated 1886, and three Spy coloured lithographic caricatures (5)

J. Kobell, an 18th century etching of characters in a tavern, c.1730, Francis Winter, a wood engraving, 'The Old Forge Bridge Street, Suffolk', signed in pencil in the margin, and a map of Durham, all framed (3)

Jos. Lang. an oils on paper laid to panel of a medieval pike man holding a flagon of wine, signed (23 x 17 cm), framed

A nursery print of a duck with an umbrella after Lottie England (54 x 30 cm), white frame, a V&A poster for Baker textiles, a framed Oriental print of a crane, and two framed certificates (5)

A quantity of well-framed prints and reproductions, hanging and in two cartons, including limited edition prints of Thurlestone and Exeter, needlework pictures, etc. [end collectors' shelves]

A still life of fruit and foliage in a jar, mid-20th century, oil on canvas (59 x 48 cm), and 'Copse Wood', oil on board, with torn artist's label to reverse, both framed (2)

A collection of gilt-framed prints of J. Rapkin's maps of South America, Brazil, Chile and La Plata, Syria, Jamaica and the Isthmus of Panama (largest 35 x 25 cm) [6]

Clifton Tomson (1775-1828), oils on canvas, 'Patriot', horse and jockey, signed and inscribed 'Nottingham' lower right and on stretcher (55 x 70 cm), framed

A 1912 print of a northern Continental riverside cathedral city (49 x 63 cm), shaped gilt frame, and two smaller prints after F. Marriott, each signed in pencil in the margin, 'Bruges' and 'Bruges by Night', both framed (3)

Aime Perret, French school, 19th century, oils on panel, farm buildings with figures and a horseman on a track, signed (45 x 55 cm), framed

British School, mid-20th century, a watercolour of a large house and grounds with clock tower (26 x 34 cm), together with a collection of dried flower pictures, an Oriental picture of a small bird amid blossom, a woodcut picture of a castle, two prints of 'The Pilgrim Way' and 'The River Thames', all framed (quantity)

View in Cumberland by John Ruskin, watercolour (25.5 x 35 cm), inscribed verso: 'A Sketch in Cumberland by John Ruskin, and was given to me by Him. Fred Crawley', framed (Frederick Crawley was Ruskin's assistant)

View in Cumberland by John Ruskin, watercolour (20.5 x 30.5 cm), inscribed verso: 'A Sketch by John Ruskin, in Cumberland, and given by Him/Fred Crawley', framed (Frederick Crawley was Ruskin's assistant)

'Uninvited guest' by Hugh Casson, watercolour (7 x 15 cm), framed, reverse with label and dated 1981

'In Rome', a small pen and ink drawing by Lena Alexander, signed (14 x 10 cm), framed, and an unframed pastel of anemones, perhaps by the same hand, together with an exhibition catalogue and photographs

Audrey Sykes, a pastel of a fountain with a statue, signed (39 x 29 cm), and another pastel by the same hand, signed, 'Evening Sky', a watercolour of a Provencal landscape by Benjamin Smith, signed, a cartoon, and an oil of a river and boats with wooded banks by A. Hope, signed, all framed (50

A group of loose watercolours and prints, comprising 'Venice, the Rialto', a watercolour of Venice by J.H. Bucket, signed and dated (18)96(?), 'City of Como', print after T.M. Richardson, and two architectural watercolours of a cloister (5) [T]

A quantity of loose prints and illustrations, including topographical and nursery/humour, after Robinson, some duplicates (quantity) [T]

'Hampstead Heath looking towards Highgate', attributed to Thomas Constable, watercolour (12 x 16.5 cm), unframed [T]

A collection of loose watercolours, prints, etc., including Paris, dogs, etc., together with a Persian miniature painting and a photograph frame, and a large quantity of rolled posters, reproductions, etc. [T and under]

'Tallis's Illustrated Map of London and Its Environs in commemoration of The Great Exhibition of Industry of All Nations, 1851' (55 x 73 cm), drawn and engraved by J. Rapkin, and three other maps, London and the Thames, published by George Philip & Sons, London and Liverpool, a map of the world 'Engraved for Middleton's Complete System of Geography', and a map of Middlesex, all framed (4)

A cartoon 'With apologies to Walt!', featuring Disney characters with Disney-fied opera titles by Rod Jordan, signed (23 x 34 cm), together with 'All Readers Please Stand', a pen and ink cartoon framed with an adulterated score for 'Gaed Sieve thah Quin', a print 'The Opera Boxes during the time of the Great Exhibition', and a poster for the Theatre Royal, Drury Lane, Grand Opera of Brussels 1845, all framed (4)

Bert Wright, a watercolour of a rugged, semi-desert landscape, probably Arizona, signed (38 x 53 cm), framed

Two brightly coloured watercolour illustrations by Jenny Reynish, each signed and dated 98, of an antelope and a dancer before a fruiting tree within multiple borders (each approximately 37 x 27 cm), framed as a pair (2)

'Contemplating Cosi' by June Redfern, signed and dated 1996, watercolour (27 x 28 cm), other watercolours including of Greek fishermen by Rod Davis, signed, old photographs, prints including 'The Opening of the Great Industrial Exhibition of all Nations … 1861', after George Cruickshank, etc. (quantity)

Carl Kenzler, 'Morning Glory' (?), a seascape with sunlight piercing clouds, signed, oils (57 x 87 cm), framed, reverse with remnants of label

'White Cyclamen', in terracotta pot, by Florence England, signed, watercolour (55 x 50 cm), framed, reverse with National Society label, also a watercolour of a house and garden at Steeple Aston by A… Fare, signed, a needlework picture and a print of cottages (4)

Eric Gurney, 'Ivan (Peter and the Wolf)', a storyboard drawing of a cat, crayons (14.5 x 20 cm), framed; also two framed wash sketches of children, each signed Jo and dated (19)87, and a stylish coloured print of a fashionable lady, signed C.M. Elliott(?) (4)

Figures on a beach beside a bathing hut, English School, 19th century, watercolour (12 x 17 cm), gilt gessoed frame applied with beaded border, mount inscribed 'David Cox'

A small modern oil of Venice by N. Campi, signed (19 x 24 cm), decorative gilt frame

An artist's proof print of a waif and her dog (1/20), signed Leighton-Jones in pencil in the margin (58 x 43 cm), and three other prints, including 'Winter in the Marshes' after A. Jacob, and a large highly decorative stylised print of iris and tulips, all framed (4)

'Fontainebleau' after Corot, oils (25 x 33 cm), gilt gessoed frame with scrolling foliate decoration

A watercolour of birch woods with a swan on a lake, signed (illegible) (44 x 29 cm), and an oil of a sunlit bluebell wood, gilt frames (2)

'The Smuggler's Daughter' by R.W. Macbeth, RA, signed and dated 1901, watercolour, showing the young girl waiting, perched on precipitous cliffs (28 x 24 cm), gilt frame, reverse with labels of Thomas Agnew & Sons and the Royal Academy Winter Exhibition 1911

Two studies of dogs by J.A. Wheeler, each signed, of two hounds and two Jack Russell terriers, oils (largest 21.5 x 24 cm), gilt frames (2)

'A Surrey Lane' by Myles Birket Foster, showing a young girl with baskets and a dog on a wooded track, signed with monogram, watercolour (24 x 17 cm), gilt gessoed frame

'Napoleon's Farewell to Josephine', a coloured print after Laslett J. Pott (61 x 41 cm), maple veneered frame, and other prints, mainly classical subjects including 'Jupiter and Io' after Jules Romain, old photographs including of a regatta, and three other framed items (11)

A framed poster for the 1974 Oscars ceremony

A small oil of a procession of birds and small animals by E. Coy, signed (55 x 14 cm), an unframed oil of African villagers engaged in a game, four framed paintings of characters from Dickens, a gouache of an officer in scarlet and blue, a pastel still life of anemones, prints, theatrical poster, framed lacework, a clairvoyant's sign, etc. (quantity) [end collectors' shelves]

A pair of early 19th century oval reverse glass paintings, the one of Queen Victoria and Prince Albert, the other of Napoleon III and the Empress Eugenie (45 x 53 cm), both in gilt frames (2)

An early 19th century Continental School oils on canvas, still life of a basket overflowing with exotic fruits (63 x 76 cm), framed

'Details of part of Members' Entrance', a large architectural fantasy, probably circa 1920, watercolour (52 x 95 cm), gilt frame; and a small watercolour still life of a basket of fruit by Angela Austin (?), signed and dated (19)87(?), gilt frame (2)

A striking portrait of a reclining woman by Boscoe Holder, signed and dated (19)74, oils (60 x 70 cm), glazed, gilt frame, and a framed portrait of a boy, 'Richard', by Dinah Delachambre, signed and dated 1971 (2)

Three gouache portraits of young women by Caryl Stockham, each signed and dated 1976 (each 55.5 x 54 cm approximately), a watercolour of a poppy by the same hand, signed and dated 1976, an artist's proof, 'Thrusting out', abstract by Michael Slahoe (?), dated 1970 in pencil in the margin, and a framed photograph of a rainbow, 'Somewhere', by Hugh, signed and dated Nov 86, all framed (6)

'Agapanthus' by Jaci Hogan, signed and signed and dated 2014 verso, oil on canvas (120 x 152 cm)

'Indian Chief', a watercolour of a mounted Native American chieftain against a mountainous background, 20th century (43 x 31 cm), unframed, and a framed watercolour portrait of another chieftain (2)

A Japanese print of ladies at leisure, an old French print, 'Ste Genevieve, Patrone de Paris', and other framed sentimental prints c.1900 (10)

A still life of a basket of summer flowers and fruit, signed H. Rijk (19.5 x 24 cm), and another still life of flowers in a vase by E. Guen, decorative gilt frames (2) [end s shelves]

Two framed costume designs, one for a pleated red net dress by Wendy Toye (41 x 26 cm), the other for 'an "old" silver pearl and bead mesh material' costume for 'Spendthrift at Party to Finale' (Cosi fan tutte, Glyndebourne '91, Maria Bjornson), inscribed (2)

A. Kalow, 'London Coliseum – Detail, Door', signed, pencil and wash (48 x 50 cm); and Sherley Phillips, 'Cordoba, Spain Two', mixed media, signed, gilt frames (2)

A set of six 'Bachelor's Hall' hunting with hounds coloured prints (each 29 x 36 cm), and a set of four coloured prints after Henry Alken, 'The first steeple-chase on record', all framed (10)

A busy bucolic scene with figures and cottages, signed Szecsenyi (39 x 49 cm), decorative gilt frame

A busy Continental town square, signed Daniel Varga (49 x 39 cm), decorative gilt frame

A north European winter landscape, with frozen river, figures and a dwelling, signed N. Lonit (?) (49.5 x 59.5 cm), decorative gilt frame

F. Giugliano, an elegant couple seated on a Mediterranean terrace, signed and repeated verso, oils on canvas (39 x 39 cm), and a pair of smaller oils on board of backstreets in a medieval Italian town, each signed (illegible), decorative gilt frames (3)

Stacy Aumonier, a winter landscape, signed, watercolour (15 x 21 cm), gilt frame; and two other framed watercolours including of a tropical beach by Kathleen McNulty (?), signed and dated 2007 (3)

A colourful oils of a waterfront town signed Tolley (?) and dated (19)88, on canvas (75 x 90 cm), framed

English School, late 18th/early 19th century, a hilly landscape with a father and two children on a bracken-covered slope in the foreground, watercolour (34 x 54 cm), gilt wood frame, the corners applied with foliate decoration

'David John', a portrait of a fair-haired, rosy-cheeked child, signed with monogram, early 20th century, oil on canvas (39 x 29 cm), gilt gessoed frame with formal scrolling leaf border

'Barges in the Swale' by Peter Toms, signed, watercolour (24 x 18.5 cm), gilt frame, and two other maritime paintings including an oil of a large yacht at anchor by W. Morsman, signed and dated 1974 (3)

A wash portrait of Marlon Brando sketched on the front page of a 1959 copy of 'The Times' (61 x 44 cm), and a sketch of a naked seated woman, perhaps after Degas, both framed (2)

'Walberswick Marshes' by Susan Horsfield, signed and dated (19)64, watercolour (54 x 74.5 cm), and 'Fisherman's Tackle', also by Susan Horsfield, signed and dated (19)63, watercolour, both framed, together with two prints including a lino-cut of a townscape, a framed exhibition poster, 'Images of the Native American', a large vacant picture frame, an envelope of loose reproductions, etc. (quantity)

A framed coloured reproduction of an old print 'Sohoe or Kings Square', and a quantity of other prints, etc., including 'Lancaster' after Robert Taylor and signed in pencil by Leonard Cheshire (quantity)

'The Ducal Palace, Venice' by Alfred Pollentine, signed, signed and inscribed verso, oil on canvas (40.6 x 61 cm), pierced foliate gilt frame

A frame with a trio of Japanese prints, two of figures and the third of a tree trunk and potted plants, together with a pair of decorative prints of Japanese fans (3)

A decorative picture of a kitten with chickens signed E. Cerroque (?) (17 x 22 cm), and a pair of small oils of countryside scenes, including of a boy fishing, by Jonathan D. Hitchcok, each signed, gilt frames (3)

British School, late 19th/early 20th century, a Highland landscape with waterfall, oils (32 x 23 cm), and two more modern oil landscapes, all within gilt frames (3)

A small collection of watercolours, etc., including of cottages by the sea by H.K. Jackson (?), signed (34 x 22.5 cm), wood frame (quantity)

A sketch of a large hound, late 19th/early 20th century (37 x 57 cm), framed; together with ‘Daisy Chain’ comprising three limited edition prints framed together (548/600) by H.K. Whatmore, signed in pencil in the margin, and four other prints including ‘Towards the Eastern Isles’ after W. French, all framed (6)

Continental School, late 19th/early 20th century, a broad river landscape with boats, figures on a path with a cottage in the foreground, oils on canvas (27 x 36 cm), gilt frame with leaf and berry border, and two other framed oil landscapes, one signed Ixer (3)

A view of Richmond Bridge, British School, late 19th/early 20th century, oils on canvas (24 x 39 cm), and a smaller oil, on panel, of women resting from haymaking, hill and lake background, gilt gessoed frames with leaf and berry borders (2)

'A view of Killie…, Bridge of Tilt', showing a Scottish landscape with figures lighting a fire in the foreground, British School, late 19th/early 20th century, watercolour (24 x 35 cm), gilt frame, together with 'Llyn Ebyr Llanidloes', two unframed and unfinished watercolours, old photographs, prints, etc. (8)

A rainy Parisian street scene by T. Giordano, signed (39.5 x 29 cm), and a pair of leafy street scenes with carriages, both signed illegibly, all within gilt frames (3)

J.C. Hooper, a boatman in a fenland landscape, signed and dated 1882, oil on canvas (60 x 90 cm), foliate gilt frame

A small collection of coloured prints, c.1900, including 'The Mistletoe Girl' and 'Queen and Heir', together with old photographs, etc., all framed (quantity)

A quantity of prints, etc. including a limited edition black and white photographic print of Frank Sinatra and friends signed Terry O'Neill (9/150), also cricket prints, 'Legends of Music' featuring Queen, etc. (quantity) [top of stairs]

Two pastels of young girls dressed in white and walking through water by Audrey Stevenson, 1977, one signed with initials (the larger 44 x 26 cm), together with two limited edition prints by C. Walsh: 'The Old Forge, Andover' and 'Merton College, Oxford', each signed in pencil in the margin, one dated '78, and a tapestry picture (5)

A pair of framed maps: 'A New Map of the North Part of Scotland' and 'A New Map of the South Part of Scotland' (each 35.5 x 45.5 cm) (2)

'Snowdrops by a Bridge' by Joy Brand, signed, watercolour (35 x 32.5 cm) and 'Robin on a Pot' by Neil Cox, signed, watercolour, reverse of each frame with label, and a box of vacant small frames (quantity)

Two Japanese prints: Yayoi, night scene with courtesan and lantern, seal of Kage; and Hiroshige III, night scene of Edo, seal of Hiroshige III (each approximately 36 x 16 cm), framed as a pair

A collection of very well-presented prints, English and French, including architectural subjects, decor, furniture, etc., and also a map of Middlesex (11)

A set of three 20th century hunting scenes, oils (each 61 x 92 cm approximately), unframed (3)

Italian School, probably 16th or 17th century, a portrait of a young woman, her veiled head adorned with pearls, oils on panel (22 x 17 cm including additions), verso with stencilled Christie's number, foliate gilt frame

81-100 not allocated

A carton of EPNS and other silver-plated items, including a tea set, oblong tray, candelabrum, etc.

Decorative silver-plated items, generally in unused condition, including warming dish with Pyrex liner, hors d'oeuvre dishes, cake stand, baskets, coffee set, etc., in a carton and loose

A 1920s oak canteen by Benson of EPNS Old English pattern cutlery for six, together with sundry other cutlery and a plated sandwich tray

Three large cartons of sundry EPNS and other metalware, including baskets, cased and loose cutlery, etc., and a silver-handled bread knife

Sundry EPNS and other cutlery, including a Fiddle pattern gravy spoon, also a plated sauce boat, covered vegetable dish, etc., together with a silver table fork, in a small carton and loose

A very large quantity of EPNS and other metalware, in four cartons and loose, including a Garrard Regent Plate four-piece tea set and similar condiment set, also a cruet, several trays, dishes, cutlery, lighters, etc., and a late Victorian cased pair of fish servers

Two cartons of sundry metalware, including some silver-plated, comprising prize and other mugs, tea and coffee service, etc., and a quantity of sundry cutlery, partly in a case.

A walnut canteen of James Ryals EPNS cutlery originally for six in an Art Deco pattern

A carton of plated items, including cutlery

Two cartons of EPNS and other metalware, including modern Arthur Price knives with plain handles, an Elkington Bead pattern serving spoon, Jesmond pattern and other cutlery, a pair of triple candelabra branches, various dishes, etc.

A carton of sundry plated and other items, including a late Victorian fitted case retaining grape scissors and fruit spoons, fish servers, other cutlery, Ronson lighter, etc.

Two cartons, mainly of modern American Oneida silver-plated wares, including bowls, dishes, coffee service, etc.

A carton of late Victorian and other metalware, including an EPBM coffee set, tea wares, cased and loose cutlery, etc., together with a fish set in oak case

A carton of metalware, including a 1930s Regalia EPNS cutlery service for six in Olympic pattern, other cutlery, Sabbath and other candlesticks, Hanukkah candelabrum, etc.

A carton of EPNS and other metalwares, including a 1930s Mappin & Webb Prince's Plate biscuit box, various tableware, a sandwich tray, a pair of candlesticks, salvers, cutlery, etc.

A small carton containing mainly a cased set of silver-mounted fish eaters for six, also cased teaspoons and other oddments of cutlery