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W.L. Wyllie, a pair of etchings of the Thames in London, at St Paul's and at the Tower of London, each signed in pencil in the margin (37 x 27 cm), framed (2)

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Indo-Persian school, a watercolour of a dignitary and attendants seated in a howdah upon a richly apparelled elephant, within a painted border, script above and below (22 x 14 cm overall), large ebonised frame

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Three Oriental prints, including of a Pekinese dog (38 x 25.5 cm), of a lady in traditional dress, seated on a throne, and of a blossoming branch, and a needlework picture of an Oriental man standing below arching wisteria, playing a flute to a lady with a fan, chickens at their feet; together with modern prints: Kenyatta Ray, limited edition print (11/125), 'Going Home', numbered, titled, signed and dated 7/94 in pencil in the margin; artist's proof, 'Moon over Morocco', titled, signed (illegible) and dated 98 in pencil in the margin; and K. Kisa, limited edition print (15/50), 'The Wise Ones', numbered, titled, signed and dated 97 in pencil in the margin, all framed (7)

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Charles A. Bool, watercolour, 'Through Hill & Dale, N. Wales', signed (37 x 55 cm), shaped foliate gilt frame

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DePre (?), 20th century Spanish school, oils on canvas, portrait of a young woman with a rose in her hair, signed, a modern oil abstract, and a print (largest 63 x 93 cm) all framed; and a vacant glazed rectangular picture frame. (4)

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Fred Hall (1860-1948), oils on canvas, a figure standing in the shade of a tree, " Her Little Darling", signed (49 x 67 cm), gilt frame.

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Continental school, oils on canvas, the Ile St Louis with Notre Dame, signed (illegible) (59 x 90 cm), gilt highlighted frame; and a framed impressionistic oils on board marine study (2)

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P. Wilkes, an 18th century watercolour of figures on a wooden bridge over a mountain river, signed (50 x 71 cm), antique gilt frame.

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H. Bryan, oils on canvas, figures by a river in a landscape, signed (50 x 76 cm), gilt frame.

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Jo Bamy, limited edition print (44/150), 'Flooded reflections', numbered, titled and signed in pencil in the margin (15 x 17 cm), modern limed wood frame; together with one large and two smaller Oriental stitched panels, an Oriental print of a squirrel in a pine tree, and a Common Stock certificate for the Baltimore and Ohio Railroad Company, all framed (6)

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J. May, oils on board, Romantic neoclassical harbour scene and another, also on board, of a similar scene, both signed and dated 1970 (largest 73 x 106 cm) framed. (2)

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J. Stewart, oils on canvas, waves breaking on rocks, signed, and S. Marla, oils on canvas, figure on a path by a river, signed (largest 61 x 92 cm) both framed. (2)

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A selection of seven various framed watercolours and prints, including two signed domestic cartoons by "Matt", a gouache of "Le Gacy" by J. Draft on a chart of San Diego Bay, etc. (7)

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A. Handcock, a watercolour of shipping in a tidal estuary in a gorge, signed and dated 1902 (50 x 73 cm) framed.

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An antique engraved and hand-coloured map of 'Cambridge shire', probably by Robert Morden, engraved by Sutton Nicholls, 'Sold by Abel Swal and Aunsham & John Churchill'; also a map of Connecticut and Rhode Island, Massachusetts and a 19th century map of Cornwall (largest 44 x 65 cm) all framed. (3)

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A 19th century Italian school oils on canvas, fishermen on an Alpine lake (40x 60 cm), and a late 19th century Continental school oils on canvas, the sun setting over a meandering woodland river, both framed (2)

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A late 19th/early 20th century English Provincial school oils on canvas of a Jack Russell terrier, and two pastel canine portraits of terriers by Diana Oliver, both signed, one dated 1996 (largest 42 x 48 cm), all framed. (3)

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A selection of 14 various framed items comprising prints, watercolours and oils, including a pair of 18th century narrative prints, 'Courtship' and 'Marriage', and another in verre eglomise surround, J. Goddard, watercolour of a harbour scene, C. Lemonalia, oil on board, a coastal landscape, a modern print of Lyme Regis harbour, etc. (14)

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J. Gilbert, a coloured chalk on toned paper portrait of a brother and sister, signed and dated 1868 (50 x 60 cm) framed.

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E. Lewis, a pair of coastal watercolours, each signed and dated (19)00; H. Bellingham-Smith, watercolour, Buckingham Palace from the Gardens, signed (largest 16 x 34 cm) all framed. (3)

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Kenneth Newton, 20th century, oils on canvas, still life with grapes, garlic, wine glasses and documents on a draped surface (33 x 54 cm), gilt wood border within a plain wood frame

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A 19th century English school pastel portrait of a child, probably by J. Gilbert (52 x 45 cm), oval gilt frame

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R.G. Coslett, pastel and charcoal, of a man in a turban with a sword, after Rubens, signed and dated 1833 (59 x 48.5 cm), shaped gilt frame with foliate decoration

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Charles Joseph Grips, oils on panel, a Continental interior with a woman at an open window, signed and dated 1876 (43.5 x 34.5 cm), shaped and pierced foliate gilt wood frame, reverse with Cooling Galleries, New Bond Street, London label

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A. de Groote, oils on panel, a busy street scene with market stalls, figures, and children at play, signed (45 x 36 cm), pierced foliate gilt wood frame

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A 19th century Provincial school pastel portrait of a seated woman with an elaborate lace and satin headdress, indistinctly signed and dated 1828 (31 x 26 cm), gilt frame.

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W. H. Bond, an oils on canvas, the moonlit path, signed (46 x 33 cm) in a gilt frame.

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C.E. Blair, an oils on canvas, a child and puppy dog tasting the jam, signed and dated 1897 (42 x 33 cm), gilt frame.

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Leo Gibbons Smith, watercolour of a harbour scene, Fife, signed with device; a watercolour by John Darlison "A quiet corner, St Romain", signed; and an oils on board of a cottage with duck pond (largest 50 x 40 cm) all framed. (3)

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After Gainsborough, oils on canvas, a portrait of the actress Mrs Siddons (1755-1831), in fashionable contemporary dress (126 x 100 cm), late 19th century gilt frame (The original portrait by Gainsborough is in the Nation Gallery.)

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Arthur White, 19th century, watercolour, figures on a woodland path, signed (49 x 74 cm), framed.

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K Roder, watercolour abstract, signed, and a grisaille watercolour stylised portrait by Emma Mbanefo, signed (largest 31 x 25 cm) both framed. (2)

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A miscellaneous selection of various framed and unframed items comprising prints, watercolours, textile pictures, maps, etc. and includes an M. Page textiles landscape. (Qty contained in three cartons, and a few loose)

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An antique sampler, a Chinese silk embroidered panel and a John Canning watercolour "Fox in a snowy landscape", signed (largest 34 x 50 cm) all framed. (3)

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Pauline Clark, oils on canvas, portrait of the Duke of Wellington, signed and dated 1974, and Marie Charlot, Edwardian ladies on a bench, oils on canvas, signed (largest 60 x 50 cm) both framed. (2)

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Two framed modern prints including John Brunsden, artist proof coloured print of Lambeth Palace from the Thames, signed, titled and numbered in pencil in the margin, and an oil of a courtyard with fountain by Folland, signed (largest 60 x 80 cm) all framed (3)

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A small mixed lot comprising a Continental school watercolour of a lake scene, a coloured print study of fruit of the plum tree and a facsimile map all framed. (3)

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F. Rougier, oils on canvas, a girl drying her feet by a brook, signed (59 x 89 cm) framed.

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Harry Williamson, 19th century, watercolour, a beached fishing boat on the low evening tide, signed (40 x 65 cm) framed.

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Ramsay Richard Reinagle (R.A. 1814), watercolour, Staines Church on the Thames (54 x 85 cm), framed, with many labels on reverse pertaining to provenance and Christies sale.

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A framed coloured abstract indistinctly signed Reg Barderid (?); J.B. Schumann, oils on canvas, an Alpine landscape with a river, signed; and two photographs in one frame (largest 60 x 90 cm). (3)

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Christa Gaq, "Still life at Sampford Spiney", watercolour and gouache, signed (exhibited at the New Grafton Gallery in 1984) and a sepia print artist proof "Sepia Surrender" (largest 20 x 21 cm), both framed. (2)

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An early 19th century school narrative, oils on metal laid to panel, an elderly harpist and a classical maiden seated on a rock by the sea, indistinctly signed P. Coth (?)(25 x 21 cm)

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After Austin Osman Spare, an oils on paper laid to board portrait of a scowling man (17 x 12 cm) in an oak frame.

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Hubbard, acrylics, figures on a beach, signed, and three modern works including J. Rogers abstract heightened with gold leaf (largest 57 x 57 cm), all framed. (4)

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Franz Mortelmans, oils on board, still life of dwarf sunflowers in a vase, signed (62 x 87 cm), gilt swept frame.

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Paul Lepage, an oils on canvas of an undershot water mill in a rural setting, signed and dated 1934 (59 x 88 cm) framed.

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Six various watercolours comprising landscapes, including an Alpine scene, a beach scene by Dalglish, a marine scene by Fallow, etc. (largest 30 x 43 cm), all framed. (6)

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Leon Jean Basile Perrault (1832-1908) black chalk on paper portrait of a girl with violin, signed, circa 1900 (69 x 52 cm) framed.

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James Ritchie, a watercolour, "The River Awe entering Loch Etive", signed (33 x 50 cm) framed.

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Attributed to David Cox, an oils on canvas of children playing outside Harborne Church, signed (30 x 40 cm) in a gilt frame.

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Heather Libson, oils, untitled abstract in blues and greens (28 x 38 cm), the reverse inscribed 'Heather Libson Autumn 2002'; Erica Macdonald, pastels, 'Courtyard', signed with initials and dated 93 (30 x 42 cm), reverse with submission label for Royal Academy Summer Exhibition 1994; and Jill van Hoorn, pastels, 'Morning Walk on Box Hill', signed (36 x 27 cm), all framed (3)

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Arthur Deltour, oils on board, a windmill in a landscape, signed and dated '73 (with biographical details posted on reverse) (75 x 102 cm)

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A rare antique painted cotton mounted on a panel of an Indian infant princess; the paint is highly modelled and set with coloured glass "gemstones" (94 x 71 cm)

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Nino Della Gatta, oils on panel, a back street in an Italian city, signed (23 x 15 cm), gilt frame.

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Nino Della Gatta, oils on panel, a sunlit river and towpath, signed (23 x 15 cm), gilt frame.

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Tom Walker, pastels, "The Magician's House" signed with monogram (109 x 126 cm), framed.

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Maia, oils on canvas abstract seascape, signed (60.5 x 92 cm), and a selection of six framed modern prints including of locomotives and vintage cars. (7)

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Three various framed watercolours and pastels including sunrise over the sea, a working Asian elephant and a late 19th century watercolour of a country girl at rest, all indistinctly signed (3)

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Five antique engravings after various old masters including Guercino by Bartolozzi (largest 28 x 40 cm), all framed. (5)

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Frank Paton, four etchings of country sports with dogs, signed in pencil (21 x 26 cm), all framed. (4)

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Various unframed watercolours, including H.H. Richardson, "Harlech Castle", W. Foster, "The Young Anglers", an extensive winter landscape with cottages and village pond, a nude study by Hubbard, a print, etc. (largest 30 x 50 cm) (6)

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S. Ishida, watercolour of Japanese cherry blossom in a park, signed, F.G. Colorides, pastures by an estuary, signed, a 19th century French street scene, and two other items (largest 50 x 32 cm), all framed (5)

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Reginald C Doherty, oil on board, "Chevas Del Drach" (the caves of Drach, Majorca) signed and dated 1968 (55 x 81 cm); Peter Oliver, oils on board, "Fishing the River Test", signed; and an oils on canvas, "Dusk over the Fens", signed Noran. (3)

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A. Johansen, oils on canvas, landscape with lake, signed (54 x 79 cm) framed.

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J. Prestor, an oils on canvas, loggers on the trail at sunset, signed (75 x 126 cm) framed.

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John Eyles, oils on canvas, figure study in the corner of a studio, signed and dated 1966 (100 x 75 cm), framed.

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Slavko Tomerlin (Croatian, 1892-1981), oils on canvas, figures at a pottery market, signed and dated 1926 (67 x 105 cm) framed.

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Koons, pastels, "Whiter than snow", signed, and Jackie Simmonds, pastel of a coastal scene, signed (largest 62 x 96 cm), both framed. (2)

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An oval coloured mezzotint portrait of a young woman, in a highly decorative gilt frame and a coloured print “The Mirror” by E.R. Sturgeon, signed in pencil in the margin, two Chinese wood block pictures, a Donald Green drawing of Flora Robson at the Tatler theatre and another framed picture (largest 37 x 51 cm), all framed. (6)

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Leo Gibbons Smith, watercolour, Bayford Lake with Swan, signed with monogram, and a signed pastel of a lane between back gardens (largest 50 x 34 cm) both framed. (2)

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T. Guy, watercolour, sunset over farm buildings and a cathedral city, signed (50 x 68 cm) framed.

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A 19th century watercolour of deer by a copse on a heath, signed with initials and dated 1893 (53 x 78 cm), framed.

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Hubbard, an acrylic, a party on board, signed, and a print of the Manchester and Liverpool train (54 x 45 cm), both framed. (2)

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David Bucklow, an oils on board of an antelope, signed (84 x 118 cm) framed.

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Loh Chaw Teck, a watercolour of an Asian market place, signed and dated '91, and a framed study of woodpeckers (largest 53 x 74 cm) both framed.

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Alan Taylor, a gouache of a stylised landscape signed, an early 19th century watercolour of a barge by a cottage, an oil of a village street by Lamb, a portrait of a 19th century "Master of the Hunt", a French print of various antique short tennis rackets and a court, and a 19th century watercolour of a family on a beach (largest 30 x 33 cm) (6)

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A. Olsen, an oils on canvas semi-abstract "Cards of Fate" (approx. 60 cm square), and a picture of Indonesian dancing girls (2)

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Verschuur, oils on board, still life of an earthenware vase of sunflowers, signed (97 x 64 cm).

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After Rubens, a coloured print of a portrait drawing of a girl with necklace; a coloured print after Turner; a watercolour by Leo Gibbons Smith of Lanberis Pass, Wales, signed with monogram; Sir Ernest George, watercolour of Camogli, Italy, signed with initials; and another watercolour of an old watermill (largest 31 x 46 cm) all framed. (6)

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G Schroter, an oils on canvas returning from the fields across the old arched bridge, signed (60 x 90 cm) in a swept gilt frame.

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Kara Wilson, an oils on canvas study of Tamara de Lempicka's "Rafaela sur fond vert" as painted in "Deco Diva", signed with initials (50 x 76 cm)

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A modern school charcoal and grey wash "Family" (59 x 42 cm) framed.

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Paul Cesar Helleu (1859-1927), a fine coloured drypoint etching "Elegante au chapeau a plumes", signed in pencil (54 x 34 cm), framed.

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After Picasso, oils on canvas, portrait of a seated woman, bears signature (108 x 96 cm), framed.

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A framed coloured photographic print of The Waldorf Astoria and the Empire State Building (74 x 50 cm), and a print of a panther, framed (2)

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Klor, an oil on canvas Mother and Child, signed and dated 2001 (100 x 80 cm) framed.

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William Allcroft Smith, an oil on canvas of a forest clearing in autumn, signed (60 x 99 cm).

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An early 20th century gouache on cotton of a Hindu noblewoman attended by dancers (120 x 83 cm), framed

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Seven framed items including an Egyptian papyrus picture, a limited edition coloured golfing print, etc., all framed (7)

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Jack Boweyman, oils on board, sunset over an estuary, signed and dated 1910; together with three framed prints (largest 16 x 40 cm), all framed (4)

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Robin Muller, a pair of coloured limited edition prints of landscapes, signed, together with some unframed watercolours, David Roberts prints, etc. (largest 47 x 47 cm) (quantity)

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An early 20th century oils on board, workers in a field with cottages, indistinctly signed (23 x 43 cm), framed

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Gwen Wagor, an ink and watercolour wash of a rocky shoreline, signed, together with a 19th century coloured print of a flower girl and a print after Teniers, 'The Card Players' (largest 40 x 58 cm), all framed (3)

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A mixed lot of various decorative framed prints after various artists including Bonnard, Degas, etc. (quantity)

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A collection of framed items, including needlework pictures, prints, etc., and including George Morland narrative prints and two watercolours by Ernest Hutton (largest 60 x 75 cm) (quantity)

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An early 20th century oils on canvas, figures on a track, possibly Ceylon, indistinctly signed, and indistinctly titled on the reverse (17 x 24 cm), framed

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Four painted and gilt Asian furniture panels (largest 40 x 28 cm) (4)

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Connie Horton (American), an acrylic still life of flowers, lamp and Stars and Stripes (34 x 26 cm), framed

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Gloenga Offo, an oils on board portrait of two 'giraffe'-necked women, signed and dated 2000 (54 x 46 cm), framed, and a framed pencil drawing portrait (2)

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