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Greg, an oils on canvas, back street in old Paris, signed and dated '63 (60 x 38 cm), framed

Ken Ogborne (b. 1912), an oils on canvas, 'Yorkshire Farm', signed and dated '81 (31 x 46 cm), framed

A mixed lot of framed items, comprising old maps, engravings, etc. (9)

P.F. Tunstill, watercolour of a rural canal and lock gates, signed; together with a reverse-glass picture of an 18th century squire and his lady at a bar gate (41 x 30 cm), maple frame (2)

Four various framed watercolours including a landscape after Alfred East, 'Flamingoes' by Pam Coombes, a John Foster landscape, and another, all signed (largest 27 x 48 cm) (4)

A collection of nine various framed items, comprising prints, a pastel, an oil, etc., and a framed 'Quoting Shakespeare' by Bernard Levin, and 'The Winter Bridge', a pastel by Hazel Kelly, signed (largest 31 x 38 cm) (9)

B. Martens, an oils on board, mallard in flight, signed, gilt frame, together with F. Prince, oils on canvas, a lough scene signed and dated 1895, framed (largest 23 x 29 cm) (2)

Chennet, two oils on canvas, one of coastal pines, the other of a woodland pool, both signed (largest 59 x 115 cm), both framed (2)

M. Gardner, a collection of eight watercolours of cottage gardens, all signed (largest 28 x 20 cm), all framed (8)

An antique watercolour in the rural Romantic style, and a George Morland narrative print of a countryman and his family (largest 40 x 52 cm), both framed (2)

Anda Kubis, four Canadian modern school small oils on canvas, comprising a pair of canine portraits and a pair of abstract red dots, circa 1994 (4)

Ken Turner, a pair of oils on board, of lapwings and a fox in a pile of brush, both signed (24 x 12 cm), framed (2)

10 various framed items including Chinese silk embroideries, a batik, an oils on board of a blue tit, etc. (largest 34 x 42 cm) (10)

F. Eliot, an oils on panel, footpath to a rural church by a pond, signed (18 x 31 cm), 19th century ornate gilt frame

Karolina Larusdottir, a mixed media method coloured print, 'Evening', signed, titled and numbered 19/100 in pencil in the margin (11.5 x 14.5 cm), and a modern semi-abstract, pencil, pen, watercolour and gouache, both framed (2)

A collection of unframed posters and prints in an A5 'Valisette' case including loose prints signed Bowman (?), and framed limited edition photographs by Cat de Rham and Caroline Arber, and a small selection of various British Film Festival posters and photographic exhibition posters, including Julia Margaret Cameron (quantity)

After Guercino, an engraving of musicians, perhaps members of the Cornaro family; together with three old framed prints including of angelic children, and two unframed items, 'Firenze' and 'Beatrix Potter Ballet' by S.J. Copeland (6) (28 x 40 cm) (6)

Aldo Salvadori, a lithograph, 'Donna e Fiori' (13/200), signed and numbered in pencil in the margin, and a Graham Evernden etching, 'Wayside' (145/200), signed and numbered in pencil in the margin (largest 30 x 47 cm), both framed (2)

Werter or Winter (?), an oils on canvas, modern Chinese school, 'The Dock', indistinctly signed (41 x 51 cm), framed

Dyen, a modern school oils on board still life of flowers in a square glass vase, signed; and another modern school oils on board of a vase of full-blown roses (largest 63 x 55 cm), both framed (2)

Lanza, a pair of watercolours of Venice, both signed (each 42 x 27 cm), both framed (2)

G.G. R…, a pair of late 19th or early 20th century watercolours, views of Paris, both indistinctly signed (27 x 21 cm), both framed (2)

A selection of 17 framed items including pastels, watercolours and prints and a set of four modern Chinese etchings by Yu Yuen Hong (17)

An early 20th century modern school oils on canvas sailing boats moored by a bank, indistinctly signed (50 x 50cm), framed

An early 20th century modern school portrait of a young woman in formal riding habit with gloves and umbrella (34 x 27 cm), framed

Tom Coates, a watercolour and body colour "Venetian Facade", signed with initials (23 x 21 cm), framed

A selection of seven framed modern prints comprising coloured prints by G. Rob, a flower print by Kathryn White and a Fiona Saunders "Fashionable footwear" (7)

A mixed lot of framed watercolours, etchings and photographs, etc., including a pen and wash of a house at the foot of a mountain, two Charlotte Atkinson signed coloured prints (largest 71 x 28 cm), and some oval frames (Qty)

Henry John Sylvester Stannard, a watercolour, "Water Meadows beside the River Ouse", indistinctly signed (34 x 39 cm), framed

Erte (Romain de Tirtoff) (1892-1990), a costume design for 'Manhattan Mary', circa 1927, in gouache and silver paint, signed in pen and stamped 'Reproduction par Erte de son oeuvre original', said to be annotated verso 'Tableau Stage door VI 1927' (sight size 34 x 22.5 cm), framed (Provenance: Decor Gallery, London, with their label on back of frame)

B. Vilnon, oils on canvas, still life of a vase of flowers in the Flemish style, signed (61 x 51 cm), gilt and ebonized frame

G. Jane Baylis, oils on board, "The Pembrokeshire coast", signed, and another oils landscape (largest 35 x 45 cm), both framed

Various framed items comprising needlework pictures, an advertising mirror, coloured prints, cigarette cards, etc., including a Wendy Hill teddy bear group

G Hodgson, a pair of watercolours of Victorian country cottage life, both signed (35 x 53 cm), and framed (2)

A good collection of various old and antique picture frames, stretchers, mounts, etc. (Qty)

A Raoul Dufy coloured print of the Riviera, after Joan Bleau a map of Wales, a signed Margaret Sutton horizontal triptych Ruin and another coloured print (largest 68 x 80 cm), all framed (4)

A pair of modern Hong Kong school oils and oils on board of Chinese junks, a similar oils on canvas and two other oils most signed (largest 46 x 60 cm) (5)

A mixed lot of framed items comprising prints, posters, batiks "Marquetry", a photograph and a Dendy Sadler photogravure "Stuffing is good for Geese" (Qty)

Carol Ann Shelton (Canadian), a mixed media 'Fisherman's Hut', signed (13 x 15 cm), framed; together with an abstract, 'Paper painting no. 57', signed in pencil, titled and dedicated in the margin, framed (2)

Two carved Italian frames, one with a Victorian watercolour

G.D. Graham, an oils on canvas, figures on a sandy beach, signed and dated '92 (60 x 90 cm), framed

Alfred Moores, a mixed media oils and modelled in relief, 'Burmese Festive Illuminations', inscribed verso with artist's name and address, etc. (46 x 77 cm), framed (exhibited Bristol, 'Savages', Spring Exhibition 1974)

A group of five oil nude studies including a reclining nude by V. Penfold, signed, 'Dreams in the Park' by Alun Tabrum, an expressionist nude by Naranto, etc. (largest 50 x 80 cm), four framed (5)

A limited edition coloured print of Henley Regatta after Charles Bone, signed, and another limited edition print, 'Regatta Days' (largest 54 x 75 cm), both framed (2)

G. Moore, watercolour of figures by a lido, signed (30 x 38 cm), and a 19th century watercolour indistinctly signed F.U. Lyle (?), 'Castle on the Hill', both framed (2)

H. James, an oils on canvas of a woodland track, signed (20 x 40 cm), framed

W. Holmes, a pastel, St Michael's Mount from the shore, signed, together with a watercolour by E. Hayward of sailing barges and white cliffs, signed (largest 35 x 52 cm), both framed

Nancy Lee, an oils on canvas of a basket of daisies, signed, and a late 19th century oil on canvas laid to board, 'Awaiting the fisherman's return' (largest 25 x 20 cm), both framed (2)

Werter, or Winter (?), oils on board, mother and child in a garden, indistinctly signed (41 x 51cm), framed

Oils on canvas, children sailing a toy boat on a pond (30 x 40 cm), gilt swept frame, together with an oils on board still life with bread, fruit, and wine (2)

M. Gardner, a collection of eight framed watercolours of country cottages, all signed (largest 30 x 38 cm), all framed (8)

A selection of framed watercolours and prints, including two after Jill Walker, street scenes in Barbados, etc. (quantity)

An oils on canvas still life of autumn fruits (30 x 40 cm), ebonised and gilt frame

Noel Daumier (?), oils on canvas, sailing barges in a Continental port, indistinctly signed (50 x 60 cm), framed

John Cary, an 18th century engraved and hand-coloured map of Buckinghamshire, together with a chromolithograph of a panoramic view of a harbour (27 x 42 cm), framed (2)

An oils on canvas in the Flemish style of fruit and flowers on a ledge (41 x 51 cm)

E.E. Whillier, a watercolour, 'Mont St Michel, Cote Ouest', signed (15 x 28 cm), together with a watercolour by G. Gardner, signed (2)

Denny, oils on canvas, stags sparring by a woodland pool, signed (90 x 60 cm), swept gilt frame

R. Greene, three oils on board of idyllic country cottages, all signed (40 x 60 cm), framed, together with a framed Edwardian print of a young gardener (4)

Werter, or Winter (?), oils on board, children in a park, indistinctly signed (60 x 35 cm), framed

Keith Turley, oils on board, 'Terry and June', signed and dated '06, signed on the reverse June Whitfield, together with a portrait, 'Jake', by Jenny Pearson (largest 57 x 47 cm), both framed (2)

A 1950s oils on paper laid to board, en grisaille, a street in Paris (39 x 79 cm), framed

Roca, an oils of an Alpine chalet, signed (47 x 38 cm), framed

An oils on canvas still life of soft fruits (28 x 34 cm)

Burnet, oils on canvas, street scene in Paris, and a similar scene by K. Heinz, both signed (20 x 25 cm), both framed (2)

D.M. Day, watercolour still life of a kitchen table with flowers and fruit, signed, together with an abstract expressionist landscape (largest 66 x 51 cm), both framed (2)

Oils on canvas, gondoliers' landing stage, Venice (51 x 61 cm)

C. Vreedenburgh, oils on canvas, a Continental church by a placid river, signed and dated 1930 (60 x 80 cm), gilt swept frame

An 18th century oils on panel of gallants and their ladies in a Romantic rural idyll (16 x 24 cm), carved gilt wood frame

An oils sketch of a fowler's punt, possibly by C. Rigetout (?), circa 1930 (17 x 22 cm), carved gilt wood frame, inscribed on the reverse: 'Temoignage de profonde sympathie/Alger/le 1er juin 1920/C. Rigetout

J. Haines, oils on canvas, a muddy woodland track, indistinctly signed (20 x 40 cm), framed

In the style of J.F. Herring, oils on canvas, stable scene (51 x 61 cm)

A rare collection of early to mid-20th century wood engravings including works by John Nash, Agnes Miller-Parker, Clarissima Fontaine and others, all circa 1920-1940 and all framed (12)

PLEASE NOTE THE VIEW OF THE CITY OF MALTA AND THREE FASHION PRINTS ARE NO LONGER IN THIS LOT A selection of FIVE various antique and old engravings including Israil Filuestre, ‘Premiere journee’ and ‘Troisieme journee’ (5)

A Flemish-style oils on canvas still life of summer flowers in a vase (33 x 25 cm)

Frank Reynolds, two oils on board, a stone and wood bridge over a canal, signed, and willows over a stream, signed (each 25 x 30 cm), both framed (2)

F.C. Lewin, four prints heightened with colour of a cartoon story board of plantation slaves (each print 12 x 9 cm), in one frame, reverse with label

Oils on canvas, Venice, gondoliers on the Grand Canal (46 x 81 cm)

Four framed antique French prints including 'L'heureuse fecondite' and 'L'education fait tout' after Fragonard (4)

An oil on canvas of a champion greyhound (25 x 32 cm)

A late 20th century oils on board of a North African town, together with A.F. Hall, oils on board, of a waterfall, signed (largest 48 x 60 cm,), both framed (2)

A 19th century school oils on canvas laid to board, 'On guard', of dogs guarding a baby in a crib (30 x 40 cm), gilt frame

After David Shepherd, a limited edition coloured print, 'Cheetah' (782/1500), signed in the margin, Solomon & Whitehead Limited Editions stamp (28 x 42 cm), gilt frame

Peter Comm-Evans, a large limited edition lithograph (56/75), of an Arab with his falcon, signed in pencil in the margin and dated 1984, together with a Film Review poster for Robert De Niro, 'Taxi Driver', and a framed watercolour (largest 63 x 87 cm), all framed (3)

A Flemish-style oil on canvas, a dog with water in a Delft bowl (22 x 35 cm)

Salvator Rosa, four 17th century large etchings on paper laid to card, depicting mythological punishments including the crucifixion of Polycrates (each 48 x 75 cm) (4)

Dyer, two oils on canvas, rural scenes with children at play by a pond, both signed (50 x 76 cm), gilt swept frames (2)

J. Warwick-Eaton, oils on canvas, a cottage by a river, signed, together with four other framed items, including a George Hunt, cattle in a water meadow by a ruined abbey, signed (largest 46 x 59 cm) (5)

An oils on canvas of a child with a doll, standing on a chair and watching a white rabbit (46 x 36 cm)

Kalighat school (1880-1920) / East India Company school, Bengal, Krishna fighting Bakasuma watercolour and body colour on paper (46 x 35 cm)

An oils on canvas, old Flemish style, a still life of summer flowers in a vase on a ledge (27 x 21 cm)

Two framed modern prints, one by Ray Brown, 'Sonata IV', the other an abstract (largest 38 x 55 cm) (2)

A collection of framed prints, including three Japanese coloured wood blocks, bird prints, batiks, etc. (11)

An oils on canvas, a King Charles spaniel seated on a chair with belt and glove (28 x 22 cm)

A pair of framed Continental textile prints, an oils on canvas still life of flowers, and a coloured print, signed in the margin, 'A Misty Morning, Grasmere' (largest 90 x 40 cm) (4)

J.J…, a watercolour of a landing stage by a weir, and a watercolour and body colour of a haywain (26 x 33 cm), both framed (2)

Burnett, oils on canvas, a Parisian street scene (24 x 19 cm), framed

An unusual carved wooden frame, the rope moulding with ship's stern surmount 'Bombay' and an anchor as a lower finial, together with a pair of maple-framed hunting prints, a German lithograph, 'Genoveva nearly sacrificed', and a watercolour of a sailing boat (5)

David Roberts, a lithograph, a view of Jerusalem, and a coloured print French portrait of an 18th century lady holding flowers (largest 31 x 46 cm), both framed (2)

Four framed antique maps, including an engraved and hand-coloured “Mapp of Buckinghamshire and Its Hundreds” by Richard Blome, circa 1673, and a ‘Mapp of the Parish of St Ann’ (32 x 26 cm) (4)