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A pastel of an artist at her easel, signed Birtwhistle (49 x 32 cm), an early 19th century Norwich school watercolour of boatmen on a river between houses, an artist's proof print, 'The Etruscans', by Kaia Meyer, signed, a sampler dated 1918, all framed, and an unframed oil of a woman on a Mediterranean terrace (5)

J. Kobell, an 18th century etching of characters in a tavern, c.1730, Francis Winter, a wood engraving, 'The Old Forge Bridge Street, Suffolk', signed in pencil in the margin, and a map of Durham, all framed (3)

Six various framed items comprising prints, watercolours and oils and including Tom (?) Bestwick, oils on canvas, figures walking on a tree-lined path (6)

Two late 18th century English school watercolours, of a fisherman on the shore, and figures on the steps of a cathedral (each 24 x 118 cm), both framed (2)

A 19th century Japanese coloured woodblock print of a town square, signed (34 x 23 cm), framed

Vasquez Del Rio (1908-1967) an oils on board of the Breton coast, 'Le Crotoy (La Manche)', signed (53 x 64 cm), framed, reverse signed and inscribed

J. Lewis, oils on canvas, figures in a formal garden, signed (80 x 40 cm), framed

J. Hovener (?), traditional Flemish school, oils on board, winter landscape with frozen canal, signed (49 x 59 cm), framed

Oils on canvas, late 19th century, Italian school, figure on a lakeside path with a donkey (30 x 60 cm), and a watercolour of Venice by M. Terino, signed, both framed (2)

Amelia Stokes, oils on board, "A Woodman's Cottage", signed, an 18th century hand-coloured engraved map of Hertfordshire by Richard Blome, and a flower print (largest 32 x 40 cm), all framed (3) [floor at end of collectors' shelves by jewellery]

A mid-20th century oils on canvas portrait of a curly-haired child (39 x 29 cm), framed

Aime Perret, French school, 19th century, oils on panel, farm buildings with figures and a horseman on a track, signed (45 x 55 cm), framed

J.L. Northeast, oils on canvas, grass track through woodland, signed and dated 1964 (44 x 54 cm), framed

Jos. Lang. an oils on paper laid to panel of a medieval pikeman holding a flagon of wine, signed and framed (23 x 17 cm).

Libelle, a gouache on paper laid to board, visitors in a grand interior, signed and dated 1806 (10 x 13 cm), framed.

Frank Watson Wood, watercolour heightened with white "H.M.S. Southampton 1921-1923", signed and dated 1927 (22 x 33 cm), framed.

A selection of 10 various framed items comprising prints, etching, a photograph, including a Fred Farell etching, an antique engraving, a map, film foyer cards, 'Orlando Bloom 75/500 Limited Edition Film Call' with two film stills, etc. (10) [end collectors' shelves by cafe door]

A pair of French coloured lithographs, topographic views of Barcelona after A. Guesdon (28 x 43 cm), framed, and other fine framed items including a drawing of a deer. (7) [by table]

D.M.H. an oils on panel of snow-capped hills with church and cottages by a river, signed with initials and dated 2010, and a print view of Henley-on-Thames after Robert Davidson (largest 56 x 86 cm), both framed. (2)

Walter F. Parker, watercolour, "Frosty Morning, Bassentwaite", signed and dated 1969 (39 x 50 cm), mounted but not framed. [table opposite collectors' shelves]

After Capt. Ed. Handley-Ready, a portfolio, "The British Firing Line", 12 coloured prints (the folio is limited to 500 copies this being Number 17, signed by the artist, and including a photograph of the artist) 1917. [table opp. Collectors' shelves]

An antique hand-coloured engraved map of "Ireland" for the German market, from 'Kichen, Jeffreu's and Beaufort, 1804'. (Once owned by Lt. Colonel Arthur Kennedy, 18th Hussars, pen inscription on reverse "taken at the Battle of Vittoria, 21st June 1813.) (57 x 47 cm), framed.

A set of four 18th century coloured topographic engravings of Irish views drawn and engraved J. Le Porte (38 x 56 cm), framed. (4)

Clifton Tomson (1775-1828), oils on canvas "Patriot", horse and jockey, signed ands inscribed 'Nottingham' lower right and on stretcher (55 x 70 cm), framed.

Arthur Wellington Fowles (1815-1883), oils on canvas, "Prison Hulks off the Isle of Wight", signed and dated 1856 (41 x 61 cm), framed.

Michael Angelo Rooker (1746-1801), oils on canvas, sheep and cattle grazing in the ruins of Wenlock Abbey, signed and dated 1790 (70 x 90 cm), framed.

Daniel Clowes (1774-1829), oils on canvas, two bay carriage horses in stable yard, signed (60 x 76 cm), framed.

Possibly by William Sadler II (Irish, 1782-1839), oils on panel, George IV embarking at Kingstown, 1821 (27 x 43 cm), framed. (Letter pasted to the reverse from a previous owner c.1919.)

An early 19th century oils on canvas portrait of the Revd George Bellasis (1730-1802), rector of Yattendon, vicar of Basildon and Ashampstead, Berkshire, after an earlier portrait (34 x 26 cm), framed.

After H. Singleton, a pair of coloured stipple engravings "Scarcity in India" and "British Plenty" (53 x 40 cm), framed, c.1794. (2)

After John Boyne, a coloured stipple engraving "An Alternative Adonis" (42 x 52 cm).

A pair of rare 18th century silkwork pictures depicting the story of Tippoo Saib's two sons and Lord Cornwallis (each 35 x 26 cm), framed. (2)

A pair of early 19th century coloured lithographs "H.R.H. Princess of Wales" and "H.R.H. Prince Leopold" (each 34 x 24 cm), framed. (2)

A pair of early 19th century coloured stipple engravings, from the series The Progress of Human Life, probably after Adam Buck (16 x 20 cm), in gilt frames. (2)

A pair of early 19th century coloured stipple engravings, probably after Adam Buck, including "Mamma, don't make me beg in vain: pray read that pretty book again" (22 x 19 cm), framed. (2)

An early 19th century pencil and watercolour of a young woman on a stile, probably after Adam Buck (26 x 19 cm), framed.

A set of 15 Indian gouache on mica pictures of trades people (contained in three frames).

A late 19th/early 20th century oils on panel still life of flowers in a glass vase (32 x 24 cm), framed. [cafe door]

An early 19th century reverse glass painting with portraits of the young Queen Victoria with Napoleon III and the Sultan of Turkey (38 x 46 cm). [jewellery cabinet]

Thomas Richmond (1802-1874), oils on board, a portrait of two sisters, signed and dated 1846 (58 x 45 cm), swept gilt frame.

An early 20th century oils on canvas, a traveller in a snowstorm approaching a welcoming inn (40 x 31 cm), framed, together with two Heaton Cooper coloured prints of fjord scenes (3)

A large miscellaneous collection of various framed items comprising prints, drawings, watercolours and oils that include landscapes, natural history subjects, a map, an equestrian portrait, etc. (quantity). [corner by table]

A set of four antique aquatints, topographic views of Turkey and Russia (largest 50 x 67 cm), framed. (4)

A selection of four framed small antique prints including Her Royal Highness the Princess of Wales, and Princess Charlotte, and an early 19th century coloured stipple engraving of a young boy with his mother at a table, probably after Adam Buck, verre eglomise surround (4)

Three early 19th century coloured prints including a pair of "Sketches by travellers", a military misunderstanding, and Royalty taking a coach ride. (4)

A mixed lot of pictures including a needlework picture, a Henry Moor print and a watercolour of a Turk smoking a pipe under a “Saracen” olive tree, etc. (quantity)

Five framed late 18th century hand-coloured Italian engravings by Campanella after Mengs or Maron, of the frescoed interiors of the recently excavated ancient Villa Negroni at Rome, (largest 50 x 80 cm). (5) [end wall by silver-plate shelves]

D Cavelli, an oils on panel full length portrait of an English Royal Ambassador to Rome, signed and dated 1824 (63 x 49 cm), unframed. [jewellery cabinet]

English School after Van Dyck, oils on canvas, a portrait of King James I (57 x 45 cm), framed.

A pair of early 19th century oval reverse glass paintings, the one of Queen Victoria and Prince Albert, the other of Napoleon III and the Empress Eugenie (45 x 53 cm), both in gilt frames. (2)

An 18th century English School oval oils on canvas portrait of a woman in a luxurious low-cut gown (73 x 62 cm), gilt frame.

English Provincial school, early 19th century, oils on canvas, fox with partridge (87 x 110 cm), unframed.

David Hamilton, an oils on canvas of guineafowl, cockerels and Muscovy duck in a landscape, signed and dated 2003 (70 x 108 cm), framed.

An early 19th century Continental school oils on canvas, still life of a basket overflowing with exotic fruits (63 x 76 cm), framed.

A gouache of Dubrovnich indistinctly signed, Chinese prints, a photograph, etc. (quantity)

A mixed lot of framed decorative pictures that include oils on canvas woodland scenes, a harbour scene and hunting prints, etc. (quantity). [end collectors' shelves by jewellery]

A Chinese painting and needlework landscape on silk, signed and stamped with seal (65 x 65 cm), framed; a silk picture of a peacock and an oil on canvas of a Chinese junk. (3)

A large collection of various framed items comprising prints, drawings, watercolours and oils that include landscapes, modern abstracts, natural history prints, needlework pictures, etc. (quantity)

Jo Smith, a watercolour "Spring Harmony II" signed, and four oak framed 1950s coloured prints of still life with flowers. (5) [end of silver-plate shelves]

Folland, an oils on canvas of a panoramic view of London Embankment with St Stephen’s tower and clock, signed (50 x106 cm), framed

 

A framed limited edition coloured print of quayside cafés, and an unframed oils on canvas by B. Jeapp, a riverside walk, signed. (2)

A set of six "Bachelor's Hall" hunting with hounds coloured prints (each 29 x 36 cm), framed. (6)

After Henry Alken, a set of four framed coloured prints "The first steeple-chase on record" (30 x 38 cm). (4)

M.W., a watercolour, "A carter's lane near Beer, Devon", signed with initials and dated 1891, W.H. Hinley, a watercolour, "A young angler by a lock gate", signed and dated 1886, and three "Spy" coloured lithographic caricatures. (5)

A pair of framed chromolithographs after G.W. Oswald, of Highland cattle in a landscape in summer and winter, both in gilt frames, together with an oils on board, Hussars and a gun carriage, unframed (3)

J. Bardot, oils on canvas, Paris, a view of the Eiffel Tower from the Seine, signed (60 x 90 cm), framed

Burnett, oils on canvas, Paris, a view of Notre Dame, signed (60 x 90 cm), framed

Burnett, oils on canvas, a French flower stall, signed, and an oils on board, the Eiffel Tower, signed, both framed (2)

Harvey, oils on canvas, Alpine woodland river landscape, signed (60 x 90 cm), gilt swept frame

21 framed items, mainly 19th century topographical prints of the Lake District, etc. (21)

A set of three 19th century Dutch mixed method coloured prints of domestic interiors (largest 48 x 61 cm), decorative gilt frames (3)

A selection of nine various framed items, comprising prints, a drawing, etc., and including two Picasso prints and an abstract 'The elephant rider' (9) [top of stairs]

In the manner of Frank Brangwyn, a watercolour of a bridge in northern Italy (25 x 30 cm), framed

A mixed lot, comprising oils and prints and including an oils on board, a winter's walk, M. Bally, sunset and a farm track, signed and dated '15, etc. (7)

A collection of eight various pictures, comprising limited edition prints, oils, etc., and including Lafitte, a signed and numbered print, small craft in an estuary with blind stamp from Paris publishers (39 x 30 cm), framed (8)

A Persian School miniature gouache on paper, a Prince on pavilion throne attended by courtiers (19 x 9 cm) framed.

Continental school, 19th century, oils on canvas, a busy North European market square, the sea visible beyond an archway (33 x 41 cm), foliate gilt frame

An Indian gouache on cotton of a Princess smoking a water pipe (64 x 85 cm) framed.

A mixed lot of 12 framed items comprising prints, watercolours and oils, etc., and including a pair of watercolours signed Sali, etc. [12]

A pair of late 20th century school, framed, oils on board of Alpine river landscapes and an etched on metal "The Old House, Hereford", framed. (3)

R Wilson, a framed watercolour, fisherman mending their nets by beached fishing boats, signed, and a framed print. (2)

An early 20th century Chinese silk embroidered panel of dragons (110 x 110 cm) framed.

J. Cluny (?), a pair of 19th century oils on canvas, study of a bird's nest amid blossom, and a still life of basket of strawberries, both signed, both framed, and a portrait of a medieval merchant, framed. (3)

A pair of wool embroidered pictures, one of an English village street, the other of an Alpine village street, together with a tapestry of Paris (largest 47 x 139 cm) all framed. (3)

After Cezanne a print of the Montagne Ste Victoire, after Vlaminck a pen and wash dining table still life, a coloured lithograph by Henry Mathews of The Royal East India Volunteers, 1797, and two others (largest 36 x 56 cm) all framed. (5)

David Shepherd, a limited edition coloured print "African evening – Zambezi waterhole", signed and numbered in pencil in the margin, and a Dennis Palmer oils on canvas of a Lancaster bomber, signed and dated 1979, and two other signed limited edition prints of wartime aeroplanes (with certificates) (largest 50 x 76 cm), all framed. (4)

Peter Fleming, pencil and wash sketch of summer flowers in a white jug, signed and dated 87 (76 x 56 cm), H. Cunningham, a watercolour, 'The Chinese Garden', signed, a signed limited edition print of harvest time, and a large Victorian chromolithograph of a child all framed; together with a vacant gilt gessoed picture frame (5),

Late 20th/early 21st century modern black on white picture on canvas "The Frenetic Drummer" (213 x 160 cm) unframed. [wall back of saleroom]

Late 20th/early 21st century modern white on black picture on canvas, "The Bronco Buster" (224 x 138 cm), unframed. [back of room by staircase]

Late 20th/early 21st century modern stylised calligraphy white on deep blue, on canvas (243 x 160 cm), unframed. [back of room by staircase]

William Lee-Hankey, R.O., R.W.S., R.I. (1869-1952), oils on canvas, 'Unloading the catch, Honfleur', signed (71 x 90 cm), framed, reverse with Paisnel Gallery label.
N.B. Droit de suite Royalty
Charges may apply

A pier glass in a moulded gilt frame with ribbon surmount.

A pair of small Italianate shield-shaped mirrors with feather surmounts and carved frames.

An early Georgian-style wall mirror in mahogany and gilt with exotic carved bird surmount and swan necks, the rectangular plate within a moulded frame.

A modern wall mirror in a moulded pine frame.

A Victorian overmantel, the three rectangular mirror plates in a gilt, moulded and carved frame.

An early 20th century rectangular mirror with painted decoration within a moulded frame.

A small rectangular Eastern wall mirror with floral carved frame.

Four unframed mirrors, circular and rectangular with etched decoration.

An impressive Victorian overmantel mirror in gilt of Adams style with ribbons and fronds of harebells, the rectangular bevel plate flanked by fluted columns (58 in wide x 39 in tall approx.)