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Heinrich Hans Schlimarski (1859-1913): an oils on canvas ancient classical scene of maidens at the baths, signed (106 x 174 cm) framed [staircase]

A good selection of 19th and 20th century oils and watercolour portraits by various hands including John Bratby, W Langley, Harold Knight, K. Molloney, most signed and dated (largest 45 x 36 cm), all framed but one (8)

Charles McCall, an oils on canvas "The French Fencing Master" signed (46 x 33 cm), and the preparatory drawing, signed, both framed with 1995 retrospective exhibition labels on reverse (2)

Sir William Nicholson, R.P. (1872-1949) two woodcuts, one a portrait of Rudyard Kipling (1897) signed in the block (89 x 22 cm) framed, and the other of Queen Victoria (1897) Diamond Jubilee portrait (30 x 20 cm), framed, and Peter Partington (b. 1950s), hand-coloured drypoint (103/250), 'Woodcock', signed in pencil in the margin, framed (3)

An interesting miscellaneous selection of various oils, drawing and prints comprising after Paul Berthon an Art Nouveau print portrait of "Iris", Gwend Caros a textile applique "West Evening" and others by various hands (largest 50 x 60 cm), all framed but one (18) [end collectors' shelves by cafe door]

E Galle, a still life on canvas, signed, a Van Hunt still life of fruit on canvas and a George Mosson pastel still life of apples on a plate, signed 1931 (largest 32 x 48 cm), all framed (3)

Soulie (19th century French), a pair of oils on canvas, a bridge and mountain pass and an Alpine river view, both signed, one dated 1856 (56 x 67 cm), gilt swept frames (2)

Natasha Lane (b. 1946), a pastel, view of Poacher's Pocket, Batson near Salcombe, signed, and an oils on canvas, 'Early morning, Poacher's Pocket, Batson Near Salcombe Devon 1987', signed (25 x 30 cm); Kate Wilson, a watercolour of an Irish lough, c.1920; P. Deuchars, oils on paper laid to board, thatched dwellings in the shade of an acacia, signed and dated 1935, and George Recketts, oils on canvas, 'A Beanfield in Sussex, circa 1962, all framed (5)

A good mixed lot of framed pictures comprising oils, watercolours and prints that include abstracts, traditional views of Venice, etc. (quantity)

Three framed watercolours by Arthur Knighton-Hammond (1875-1970): a continental town from a river, perhaps Avignon, signed, a view on the Isle of Skye, signed and a watercolour of an English town from the river (the largest 49 x 36 cm) (3)

A 19th century Japanese coloured wood block print of travellers by paddy fields at the foot of Mount Fuji, signed and titled in the block (23 x 34 cm), framed

Alessio Issupeff: an oils on canvas laid to board "Arab Stallion", signed (31 x 46 cm), framed

A collection of five oils on canvas portraits by various hands, including Olga Lehmans, "Seated male nude figure", signed; after Modigliani, "Seated woman"; Sylvia Malloy, "The ceramic artist", signed; M Lance, "A Country Gentleman", signed; and after Dodd Procter, "Female nude figure" signed (largest 78 x 58 cm), all framed (5)

A 19th century oils on panel view of Venice (40 x 60 cm), gilt frame

A 19th century unframed oils on canvas view of St Marks from the lagoon, indistinctly signed, dated 1892 (31 x 51 cm), and another view of Venice by C. Brancaccia, signed and framed (2)

E. Lawson, an oils on board, feeding the turkey and chickens, signed (18 x 28 cm), gilt frame

J Wiligig, oils on canvas, an industrial river scene, signed and dated 1947 (41 x 51 cm), framed, and an oils on board, "The Embankment", by Taylor (2)

Muriel Hunt, watercolour with body colour, "Beguiling", signed (24 x 24 cm), framed with Chris Beetles exhibition label on reverse, a moorland scene with red deer and grouse, and an equine portrait (3)

H. King, oils on canvas board, farmyard fowl, signed (45 x 57 cm), 19th century maple frame

H. White, a gouache of the tugboat 'Romsey', signed (21 x 52 cm), in an elm frame, and a 19th century marine watercolour of sailing ships in rough water by Charles Augustus Mornewick (1820-1875) (28 x 45 cm), framed (2)

A 19th century oils on canvas, haymakers below a Scottish castle, indistinctly signed (50 x 75 cm), framed, and an oils on canvas by Parker, cattle in a ford, signed (43 x 64 cm), framed (2)

J. Maris, oils on canvas, Dutch landscape with windmill, and barges on a canal, signed (36 x 50 cm), gilt frame

J.J. Spohler (1811-1879), an oils on canvas of a winter landscape in Holland (62 x 92 cm), swept gilt frame

Willem E. Roelofs junior, an oils on canvas, Dutch landscape with mother and child by a canal with swing bridge, signed and numbered 95 (41 x 55 cm), gilt swept frame

A selection of five framed watercolours including H. Shafer, a square in Chartres and two street scenes by Francis B. Tighe, etc. (5)

Two framed antique maps including the 'Bishoprick of London' and the 'Deanary [sic] of Westminster' (each 20 x 27 cm), both framed (2)

Hubbard, an acrylic on canvas, 'A Day in the Life of a Snowman', signed (55 x 77 cm), hand-decorated bespoke frame; and Keith Burtonshaw, oils on board, a bridge over a Yorkshire river, signed, framed (2)

John Frank Swingler, two framed watercolours of country views, both signed (largest 23 x 38 cm) (2)

W. Delwart, oils on canvas, a still life of lilac in a ceramic vase, signed (50 x 40 cm), framed, together with an unframed 19th century oils on canvas still life of chrysanthemums in a bronze vase, by Flora van Georg, signed, dated 1889, and another oils on canvas of water lilies beneath a chestnut tree, indistinctly signed, framed (3)

A collection of nine modern pictures, comprising oils, watercolours and a pen drawing and including Robert Hardy, acrylic on board of three ships, signed and framed with England & Co. 1995 exhibition label on reverse, Boris Berzinsit, a pen and ink, 'Salaegrava', framed, Petrusha Lawlor, etc. (largest 65 x 91 cm) (9)

After David Shepherd, an oils on canvas of a tiger, a large Persian gouache, heraldic lions, and a framed tiger (4) [end of collectors' shelves by jewellery]

Burenett, an oils on canvas of a Paris street scene, signed (63 x 93 cm), framed

Johannes Adrianus Van der Drift (Dutch School, 1808-1883), oils on panel, Dutch street scene in the snow (33 x 22 cm), framed

18th century Flemish School, oils probably on copper of a group of itinerant musicians (39 x 32 cm), gilt swept frame

Troy Denton, oils on canvas, an early American 'Mountain Man', signed (60 x 90 cm), framed, and a framed oils on canvas by Weston of an encounter between the steam train 'Chevallier' and rhinoceros on the Great Whipsnade Railway, signed and dated '70, signed (2)

J. Giordana, oils on canvas, a rainy Paris street scene, signed (63 x 53 cm), swept frame; and G. Hezar, Continental street scene (2)

A late 19th/early 20th century provincial school oils on canvas, a portrait of a man, possibly Lenin (74 x 60 cm), swept frame and a British oils on canvas portrait of a brother and sister, signed Earl and dated 1950 (2)

A pine-framed watercolour portrait of a late 19th century scholar.

H. Pope, 'Frankley', watercolour of a cottager carrying a pail by twilight, signed (13 x 19 cm), framed; together with Basil Bradley, pencil and watercolour, 'Three Haymakers Working', signed, unframed; and three pages of figure sketches in pencil, each signed LK, mounted together in one frame (3)

C.P. Shilton, an oils on board, 'Autumn in Hyde Park, Rotten Row', signed, dated on reverse 1961 (30 x 40 cm), framed; and a 19th century oils on canvas of poachers on a salmon stream, indistinctly signed (2)

Faith Sheppard, oils on paper, still life of flowers, signed with initials (37 x 44 cm), framed; and two watercolours of Southern scenes (3)

Edwin Hayes, watercolour, lighthouse on the shoreline, signed (23 x 34 cm), framed

Four various framed watercolours, including Jose Moia, a pen and wash courtyard scene, G.L. Hall, river scene, Robert De Quin, 'On the River Sambre (Namur)', and a 19th century watercolour of cattle in a Romantic landscape, all signed but the last (largest 30 x 43 cm), all framed (4)

A large and miscellaneous selection of various framed items comprising oils, watercolours, drawings and prints and including flower pictures, a wood engraving of a snowdrop, etc. (quantity)

Alma Emery, an oils on canvas “A cockerel and his hens”, signed and dated 1991, framed and a Romey Brough oils on canvas, “Dead Nettles”, signed (largest 88 x 88 cm) both framed (2)

David Bates, an oils on canvas, river landscape, signed (40 x 67 cm), swept frame, and an oils on panel by J. McIntyre, "Hampstead in May", signed with initials, framed (2)

E. Ashton, watercolour, "Scene in Aldeburgh, Suffolk", signed (47 x 64 cm) framed

Francis B. Tighe, a pair of watercolours, market town street scenes, signed and dated 1921 (37 x 27 cm), both framed (2)

J. T. Burgess, an oils on board, sheep resting in a pasture, signed (30 x 46 cm) framed

Three various framed items comprising an Antibes holiday poster, an oils on board coastal scene, and a LanOptics advertising sheet, all framed plus a large modern picture (4)

An unframed oils on canvas still life of fruit on a tazza (1)

A "Breakfast at Tiffany's" poster on stretched linen, an oils study of a child and a framed American Bingo card design (3)

A pair of late 19th century Chinese silk embroidered Immortals with their infant attendants (122 x 71 cm), both framed and glazed (2)

George Mead, oils portrait of a young woman, and two other oils including a still life of flowers, and a 19th century coloured print of schoolboys at Harrow, signed (largest 36 x 50 cm), all framed (4) [end of silver shelves]

Euan Fraser, an acrylic on canvas, fishing boats in harbour, signed, an oils on canvas "Atlantic breakers" and various prints, etc. (quantity)

Kathleen Middleton, an oils on board still life of flowers, signed (50 x 60 cm) in a combed and gilt gesso frame with 20th century gallery exhibition label on reverse

Five various framed items that include an etching, a Maxim's dinner menu, etc. (5)

A pair of "Munster fine art" reverse glass prints of "Officers of the British Army" Nos. 35 & 47, both in maple-veneered frames (2)

Vivien Forbes (1891-1937) a watercolour "Trees by night", details of the Fine Art Society Exhibition on reverse, a Joseph Kirkpatrick etching, a watercolour and another etching, all framed (4)

Jackie Simmonds, a pastel of potted plants, signed (31 x 33 cm), framed and another still life (2)

Two Roy Perry framed gouache landscapes [2]

A 20th century English school watercolour of Newcastle Quayside with bridge and buildings (36 x 48 cm), framed

A small selection of sixteen framed items comprising prints and photographs and include a Maurice Randall portrait and two frames (18)

A.F. Snell, oils on canvas, fishing boats and dinghies by a quayside, signed and dated 1967 (50 x 60 cm), swept frame, and G. Todd, oils on canvas, boats and fishermen at the quayside, framed (2)

S.S. Szikova, an acrylic on board, 'Rush Hour', signed and dated 2000 (50 x 75 cm), framed; together with a folio of unframed drawings and designs and an Anton Wishaw oils on board with applied details abstract, framed (quantity)

H. Sylvester Stannard, a watercolour of a woodland river, signed (70 x 52 cm), period gilt frame

A good collection of various framed items, comprising prints, drawings and Chinese embroideries, and including 'Kaby', an Art Deco coloured etching, 14 silver-leafed framed silk embroideries, and much more (quantity)

Four oils on canvas including E. Ferrati, Parisian flower-sellers, signed, F. Roylet, a bawdy historical narrative, signed Rima, a 19th century Flemish style still life of flowers, signed, and figures in a landscape, signed (largest 60 x 90 cm), swept frames (4) [top of stairs]

J. Barling, an oils on canvas portrait of Sir Winston Churchill, wearing his trademark spotted bow tie, signed (60 x 50 cm), gilt frame

Edward Royal, oils on panel, the logging team, signed and dated '17 (21 x 41 cm), gilt frame

R. Walker, an unframed oils on canvas, fishing boats in rough waters, signed (62 x 80 cm), and a watercolour and bodycolour, 'The Cutty Sark', signed and framed (2)

Billie Waters (b. 1896), watercolour, gouache and pencil, 'The Green House', signed (20 x 16 cm), and Dennis Higgins (1912-1978) etching, 'The Critic', signed dated 1967, and titled in pencil in the margin, both framed (2)

Danford (?), after Boudin, oils on canvas, an Edwardian beach scene, indistinctly signed (48 x 55 cm), swept frame

After J.M.W. Turner, a 19th century oils on canvas, fishing boats in rough water (73 x 110 cm), swept frame

F. Mearns, oils on canvas, cottage interior with family, signed and dated 1880 (66 x 79 cm), framed [opposite toys]

Antoine Raymond, a pair of coloured mezzotints, views of Venice, each signed in pencil (32 x 36 cm), framed (2)

Zanqis, a pair of oils on panel, Flemish street scenes, both signed (each 25 x 20 cm), framed (2)

L. Pargini, oils on canvas, winter landscape, signed (45 x 54 cm), together with a Far Eastern river scene and a needlework panel with African wildlife, all framed (3)

Margaret Plamer, a pair of oils on board of children at the seaside, both signed (19 x 24 cm), both framed (2)

Continental School, 19th century, oil on panel, St Mary Magdalene, shown full-length, dressed in blue and brown robes and holding a pot of ointment, fruiting tree and sky background (46 x 24 cm), unframed

Not allocated

An ornate rectangular gilt framed mirror with scrolling decoration and a 1930s peach and clear glass mirror in need of restoration

An oval oak framed mirror and an oval bevelled glass red and gilt framed mirror

A rectangular gilt framed mirror with scrolling decoration

A modern silvered oval bevelled glass mirror with blue heart decoration

A rectangular bevelled glass gilt framed mirror

A white and gilt shabby chic long dressing mirror

A rectangular bevelled glass gilt framed mirror

A shaped rectangular mahogany framed overmantel mirror with bevelled glass and shell decoration

An ornate rectangular bevelled glass mirror with foliate cornice decoration

A 1930s mirror with scrolling cut decoration

A pair of small rectangular mirrors

An oval oak framed mirror with bevelled glass and pierced foliate decoration

A rectangular hammered metal dressing mirror

A large bevelled glass rectangular sectional mirror

An octagonal brass framed mirror

An oval bevelled glass gilt framed mirror with beaded decoration

Lots 96-100 not allocated

A 9 ct gold wedding ring, estimated weight 3.8 gm, and an 18 ct gold three-stone ring

A 9 ct gold necklet and charm, estimated weight 2.2 gm, and a row of pearls