Author: admin

A selection of five various decorative prints including two limited edition coloured prints, including Sheila Stafford, a coloured etching (6/100) "The boy, David" signed, titled and numbered in pencil in the margin (largest 23 x 23 cm) all framed (5)

'Parisienne' by Pierre Grisot (1911-1995), signed Grisot, probably 1950s, oil on board, foliate frame with gilt highlights, reverse with Frost & Reed label

Graham Hodges, oils on canvas, sailing ships at sunset, signed (29 x 36 cm), framed, and two watercolours one of a Persian cat, the other a landscape (3)

A collection of 17 framed prints of classical sites, comprising topographical, including Chrysopolis, Delphi, Corinth, etc., and a series of six prints of women in Greek costume after Stackelberg (originals 1825); together with an Indian painting on fabric of a prince with his harem on a lake, and a folder of six Japanese wood-block prints by Kyoto Hangain after Hiroshige, Hokusai, Sharaku, Harunobu and Utamaro of Mt Fuji, an actor, a snow scene, etc. (19)

George Graham (1881-1949) a watercolour landscape "A Norfolk Common" signed (26 x 40 cm) framed with a Spink exhibition label on reverse Stock No., sold together with another two George Graham watercolours and five others by various hands, all framed. (8)

Three late 20th century modern school oils on canvas and board of sailing and fishing boats, all signed (the largest 42 x 94 cm), two framed (3)

Liddle, oils on canvas, boulders on the shore line, an oils on board of palm trees at an oasis, a modern still life oils on canvas of bottles, and another oils on canvas (largest 88 x 74 cm), three framed (4)

B.P.F. Perriam, a framed pastel portrait of a leopard, signed; after Huggins, an oils on canvas of a lion and lioness; and a mixed method portrait of a zebra (largest 124 x 60 cm) (3)

Ian Cryer, oils on canvas, a leafy city street with bench under a tree, signed (50 x 60 cm), together with a schematic watercolour of a proposal for the facade of an international hotel, signed with initials D.R. and dated '79, both framed (2)

Tereza Buskova, a pair of artist's proof coloured etchings 'Masks' and 'Dirty Game of Two Players', both signed in pencil in the margin and dated '05 (21 x 14 cm), together with a modern coloured design, framed, Martin Few, an etching with aquatint, artist's proof, '3 A.M.' signed and titled in pencil in the margin, framed, and a mixed method charcoal '3 am Gare du Nord' by Martin Few, framed; together with a collection of various bespoke frames, some gold leafed, others waxed natural, painted or ebonised (Qty)

Walter H. Allcott, a watercolour 'The Cathedral, Siena', signed and dated 1904 (29 x 36 cm), framed with Fine Art Society label (1924) on the reverse

A French school-style oils on canvas of a lap-dog on a scarlet gold-tasselled cushion (24 x 30 cm)

Two 19th century-style provincial school oils on canvas, of a pair of Papillon dogs and of a spaniel on a red cushion, bearing signature St Pere (largest 25 x 39 cm) (2)

Eight unframed original prints, all signed, including Jan Daum, an etching, 'The Road to the Downs'; a print after Whistler, 'Chelsea'; together with a modern print, 'The Hebron jug' and a wood cut after Nicholson, 'December', both framed (the largest 25 x 31 cm) (10)

A Continental style oils on canvas of a gun dog by his Delft pottery water bowl (25 x 32 cm)

A 19th century English provincial school style oils on canvas of a gun dog in a landscape (27 x 32 cm)

Four John Crome etchings, all purchased from Agnews and bearing their labels on reverse, comprising: "At Colney" (E1 iv/iv); "Mousehold Heath" (E3 iv/iv); "At Hackford" (E14 v/v); and 'Lake & Boat, Wickerswell, Somerleyton' (E15 iv/iv), (largest plate size 22.5 x 30 cm), each framed (4)

David Cox, a watercolour of a horse and trap on a path with extensive landscape and sky, signed and dated 1858 (29 x 53 cm); together with Douglas E. West, watercolour, a Cornish port-side scene with two old salts and a boy with a model yacht, 'Decisions, decisions', signed (38 x 56 cm), and two other watercolour landscapes (4)

A 19th century English school watercolour of children, a stream and an old manor house, signed indistinctly bottom left; together with another indistinctly signed watercolour of a lad eel fishing in a stream before a rustic, half-timbered house (the largest 40 x 59 cm), both framed (2)

G.F. Roberts, two oils on card, large details of moths, signed Roberts and Moon? (the largest 28 x 76 cm), both framed (2)

Possibly S. Marsie (?), Continental school, 19th century, a watercolour of an Alpine village with cattle in a stream, signed, together with a 19th century school watercolour of an extensive landscape and estuary indistinctly signed (the largest 30 x 44 cm), both framed. (2)

A South East Asian sequin and beadwork picture of Hindu deities flying around a chariot, framed, together with an Indian gouache on cotton of a young woman and a white crane (the largest 54 x 80 cm) (2)

Attributed to Dame Laura Knight, watercolour sketch, 'A Country Fair' (21 x 31 cm), gilt frame

Sarah Nicholson, pastel and watercolour on paper, '8. Tarbock Island Beehive', together with two charcoal, watercolour and pastel pictures by Mark Jeoffroy, signed with initials, and a modern print by Harlo Cohen, signed (the largest 74 x 52 cm), all framed (4)

Lorna Mole (Australian), watercolour, 'Horrocks Creek, Flinders Ranges', signed; John Strickland Goodall, watercolour, 'On the Terrace, Villa Das Flores', signed; and an Italian watercolour of farm buildings by a river (the largest 38 x 51 cm), all framed (3)

C.D. Clutterbuck, watercolour on paper, an arrangement of summer flowers, with a small parrot on a perch, signed, together with an oils on board, vase of flowers (the largest 65 x 50 cm), both framed (2)

John R…., oils on canvas, still life of an Art Deco coffee service on a wicker tray, signed; Nicole Peacock, oils on board, 'Three apples', signed, both framed, and an unframed oils on canvas still life (the largest 37 x 36 cm) (3)

A selection of four various oil paintings including Tharee, oils on canvas of a woman punting amid water lilies, signed; an oils on board of Spanish Gypsies Flamenco dancing; and two other oils on canvas (the largest 92 x 71 cm), all framed (4)

Philip Naviasky, a sanguine on paper female nude figure study, signed; Charles Mahony, a pen and wash drawing of vegetables on a smallholding, signed with initials; together with a coloured etching and two other decorative prints (the largest 52 x 33 cm), all framed (5)

A collection of eight framed decorative pictures comprising batiks and straw work pictures, etc., including Linda Brown Nabanuga (Australian) 'Water hole dreaming', etc. (the largest 83 x 63 cm) all but one framed (8)

A collection of six various framed items comprising portraits and illustrative images including watercolours, theatrical, oils on board portraits, a portrait of a West Highland terrier, etc. (the largest 70 x 54 cm), all framed (6)

A large selection of various framed items and frames comprising prints, watercolours, etc. and including a Vasarely print, an antique Zodiac hemisphere map, etc., all framed (quantity)

J.B. Crome, two pencil drawings of fenland landscapes with windmills, each signed and dated 1836, and three other 19th century watercolours, one signed (the largest 21 x 14 cm), all framed (5)

Percy Lancaster, a good modern British soft ground etching of a woman with a basket of laundry, signed and numbered 8 in pencil; Marcus Arthur Boss, pen and wash "A Rest on the Roadside", showing a gentleman of the road; an oil sketch of a woman in profile; an 18th century watercolour landscape by William Day 'Lake Bassenthwaite'; and a small antique engraving by Hieronymus Wierx, (largest 25 x 17 cm), all framed (5)

A large framed panoramic view of 'London from the South Side of the Thames', a supplement to the Illustrated London News, February 9, 1861, together with a watercolour of boats in an estuary, and a print (the largest 50 x 132 cm) (3)

A selection of four framed pictures including a modern British School oils on board 'Arcadia'; a large pastel of a Continental cafe in the shade of plane trees; an oils on board of cheese makers, etc. (the largest 58 x 78 cm), all framed (4)

H.F. Burnet, watercolour, sailing ships at anchor at evening, signed and dated 1895, together with F. Clifford, watercolour, beach scene at Hastings, signed (largest 50 x 74 cm), both framed (2)

20th century Continental school, mixed method and oils on canvas, a view of a lively street in Montmartre with the church of St Pierre de Montmartre (61 x 100 cm), framed

Roy Perry, oils on board, boats moored on the Thames near London, signed (54 x 90 cm), framed

A mixed lot of seven watercolours and oils, including Alison M. Dickens, oils on board, 'Frosty Morning', signed and dated 69, Kate Caughie, oils on board, a spray of flowers, signed, an abstract oils on canvas, etc. (largest 50 c 60 cm), all framed (7)

Ken Coulson, two watercolours, of a beached boat at low tide(26 x 35.5 cm) and of trees in winter, both framed (2)

W. Collins, three watercolours, views of Hertfordshire: 'Royston', 'Ickleford Church' and 'Near Hitchin' (the largest 17 x 23 cm), all framed (3)

A charcoal sketch of a dockside scene with stevedores attributed to Rudolf Helmut Sauter (28 x 22 cm); also A.S.G. Butler, pencil, watercolour and bodycolour, 'View of Bellagio', signed and dated 1929 and inscribed in pencil 'Menaggio', and a sepia wash and ink sketch of a boulles match by John Henson, signed, all framed (3)

Susan (Pomery) Wilks, acrylic with knife, 'A Country Lane, Stackpole, Pembrokeshire', signed Pomery, and a 20th century modern school oils on canvas, South Est Asia, a floating market, indistinctly signed (largest 50 x 80 cm) (2)

Two 19th century English marine school watercolours, 'Pantelaria' and 'St Jago' (largest 15 x 43 cm), both framed (2)

F.L.B. , a 19th century English school watercolour, a view of Hastings, signed with initials and dated 1890 (13 x 36 cm), framed

A large reproduction after Maurice Prendergast of umbrellas on the Rialto Bridge, Venice (original 1899), and two exhibition posters for Sybil D'Orsi and Steve Hanks, all framed (3)

Continental school style, oils on canvas, three views of Venice (53 x 73 cm) (3)

Three 19th century-style oils on canvas, portraits of cats and kittens, comprising white cats, a kitten on a cushion, and a litter of kittens in a knitting basket (largest 52 x 65 cm) (3)

Archibald Thorburn (1860-1935), pencil drawing, 'Cormorant', signed with initials and dated March 13, 1918 (18 x 12 cm), framed (the second version for plate 36 in 'A Naturalist's Sketch Book', 1919) (Provenance: The Glenbow Museum, Calgary, Canada)

H. Medlycott, watercolour, 'Near Shoreham', signed and dated 1888 (19 x 33 cm), framed

Nine framed items, including Mallinson, mixed method etching, 'At St Katharine's', numbered 5/100, titled and signed in pencil in the margin, a watercolour of a cat by M Grist, shipping prints, Lowry reproduction, etc (the largest 56 x 89 cm) (9)

M.J. Gates, a watercolour of a Suffolk estuary and an early 20th century watercolour of a beach with boats and huts, together with Spencer, watercolour heightened with body colour, the steam paddleboat 'Waverley', signed and dated '89 (largest 27 x 41 cm), all framed (3)

19th century Continental school, oils on canvas, a heathland landscape, and 20th century, oils, woodland pasture by a river; Nancy Horne, oils on board, ducks on a river, signed; C. Wright, oils on board, Loch Morlich, signed; and H.M.R., oils on canvas laid to board, landscape with patchwork of fields (largest 50 x 70 cm), all but one framed (5)

Godwin Bennett, three watercolour and body colours on toned paper, desert scenes, all signed, together with another by a different hand of pyramids in the desert, indistinctly signed (largest 17 x 37 cm), all framed (4)

J. Bonello and B. Bonello, two watercolours of Middle Eastern city street scenes, both signed, together with P. Forcella, a market by a mosque, signed (largest 36 x 29 cm), all well framed (3)

Percy Thomas, watercolour, 'Bury, the Fens', signed and dated 1893, together with four other watercolours including an indistinctly signed view through an arched bridge over a small gorge (largest 51 x 37 cm) all framed (5)

Abraham Hulk (Junior), a pair of watercolours, both signed; S. McKinly, two watercolours, 'Cockington Village' and 'Okehampton', both signed; a 19th century oils on glass laid over a gouache; V.H. Drummond, 'Horseguards in Hyde Park'; and two other watercolours (largest 27 x 38 cm), all framed (9)

Ralph Steadman, a soft ground etching, 'The Beaver's Lesson', signed and numbered (22/150) in pencil in the margin (23 x 20 cm), framed, used on page 41 of the 1975 edition of 'The Hunting of the Snark', illustrated by Ralph Steadman; together with a copy of this book (2)

Alice Greenhill, watercolour, fishing boats at Ostend, signed; James Priddey, a mixed method coloured print, 'The Harbour, Mevagissey', signed and titled in pencil in the margin; and L. Hartland, watercolour heightened with white, a shipwreck scene, signed (largest 18 x 50 cm), all framed (3)

Seven framed watercolours and drawings, landscapes and village scenes, most late 19th century, some signed (largest 32 x 46 cm) (7)

J.Celestre, an oils on canvas, a still life spray of flowers in a pottery jug, signed 70 cm x 59 cm framed sold together with an oils on board entitles 'La Madeleine, Paris' framed.

Nancy Sharp (1909-2001), oils on canvas, a longhorned cow in a manger, signed with initials (30 x 50 cm)

A selection of six framed 19th century Romantic landscape pencil drawings (6)

Camille Fonce (?), a coloured etching on 'vellum paper' of a bridge over a river with church in the background, signed and with numbers 9.88 in pencil in the margin (45 x 60 cm), decorative gilt frame

Robert McPartland, pen and ink, 'Group', signed and dated '86 (26 x 19 cm), framed, reverse with Contemporary Art Society Market label

V. Lavau (?), a coloured limited edition print of a corner of the Place du Tertre, Montmartre, signed in pencil in the margin and numbered 143/875 (55 x 75 cm), together with a pair of small prints of the Seine by Notre Dame and of Montmartre, both signed in the margin, 1950s, and a print of a French street, all framed (4)

Modern limited edition prints, comprising: Beaume (?), a small pair 'Carnival II' (artist's proof) and 'Circus' (5/100), both signed and titled in the margin in pencil (each 23 x 21.5 cm); Arthur Lewis, 'White Sands, St David's' (1/100), signed, titled and numbered in pencil in the margin; Annette Johnson, 'Snowdrops', signed, titled and numbered (103/150) in pencil in the margin, all framed; and four other items (8)

Thomas Rowlandson (1756-1827), pen and ink, with watercolour wash, figures by a bridge, recto pen and ink figures by a manor house (11 x 18 cm); together with John Massey Wright (1777-1866), sepia wash, 'Shylock', signed with initials, framed (2)

Three 19th century English school watercolours, comprising: W. Atkinson, a river scene with figures and boats, signed and dated 97 (27.5 x 22.5 cm), V.J. Willcox,'Near Dorking, Surrey', with figures on a bridge, and another of a girl with geese on a country lane beside cottages; together with two pencil and wash sketches of landscapes attributed to C.F. Sinot, circa 1815, all in gilt frames (5)

A late 20th century limited edition etching and aquatint, sheep in a pasture by a farm track, numbered and signed in pencil in the margin and dated '88, a set of Tolkien 'Lord of the Rings' stamps, a bas relief frieze of a medieval scene, watercolours and drawings (7)

Five framed watercolours and prints, including a watercolour study of apples by S. Fetts, signed, etc. (5)

Seven modern impressionistic watercolour wash beach scenes (largest 54 x 34 cm), all framed (7)

Sir William Russell Flint, two signed coloured prints, 'The Interlude' and 'The Shower', each signed in pencil in the margin, blind stamped (largest 42 x 55 cm), framed (2)

Sir William Russell Flint, a limited edition coloured print, 'Casilda's (Griselda's) White Petticoat', signed in pencil in the margin, blind stamped (40 x 60 cm), framed

Sir William Russell Flint, a limited edition coloured print, 'Eve, the girl with the bobbed hair', signed in pencil in the margin, blind stamped (30 x 23 cm), framed

Sir William Russell Flint, a signed proof limited edition print, 'The Pendant', signed in pencil in the margin, blind stamped (51 x 70 cm), framed

Sir William Russell Flint, a limited edition coloured print, 'Variations IV', signed in pencil in the margin, blind stamped (45 x 60 cm), framed

Sir William Russell Flint, a limited edition coloured print, 'Balance', signed in pencil in the margin, blind stamped (40 x 55 cm), framed

Sir William Russell Flint, two limited edition coloured prints, each titled 'Reclining Nude' and signed in pencil in the margin, both blind stamped (largest 31 x 57 cm), both framed (2)

Sir William Russell Flint, two limited edition coloured prints, 'Two Models' and 'Carmelita', each signed in pencil in the margin and blind stamped (largest 37 x 28 cm), both framed (2)

Sir William Russell Flint, a limited edition coloured print, 'Dance Montana', signed in pencil in the margin, blind stamped (47 x 63 cm), framed

Sir William Russell Flint, a limited edition coloured print, 'Casual Assembly', signed in pencil in the margin and blind stamped (46 x 62 cm), framed

Sir William Russell Flint, two limited edition coloured prints, 'Silver Frock' and 'Prime-of-Vera (Primavera)', one signed in the margin and blind stamped, the other signed in the image (largest 23 x 28 cm), both framed (2)

A selection of various framed items, including a pair of ballooning prints and other decorative prints, a mirror, photographs, a map, an old theatre poster for the Victoria Palace for 'Windy City' starring Dennis Waterman and Anton Rodgers, etc. (quantity)

A large collection of various framed decorative prints, including military, posters, etc. (largest 70 x 85 cm) (quantity)

Robin Mason, compressed charcoal on paper, a flower in a decorative vase (75 x 75 cm), framed with Contemporary Art Society Market exhibition label to reverse, together with a framed sanguine chalk landscape drawing and another framed charcoal drawing of a crooked tree in a dell (3)

Jonathan Webber, scraperboard with added colour, a portrait of a clown, together with Carlos Diaz, a gouache portrait of a clown, 'Coco', and a signed coloured print of a clown in a bowler hat (largest 50 x 30 cm), all framed (3)

Andrea Gastaldi (1826-1889), oils on board, Cupid chained in roses, being led by young girls, signed and dated 1864 (15 x18 cm), gilt frame; together with a framed sepia wash drawing of cavorting putti (2)

Van Ewyk, three pastels on paper, winter landscapes including 'Sturmer Lake' and 'Misty River', all signed (largest 54 x 44 cm), all framed (3)

H. Springborn, oils on board, an extensive late summer landscape under a lowering sky, signed (100 x 250 cm)

Dereck Harris, oil and tempera on canvas and flax, four studies of nude figures in landscapes, all signed, dated 1988 and 1989 and inscribed verso, including 'Fricka (Modern Woman)' and 'Bacchus' (largest 150 x 85 cm) (4)

W.J. Wadham, watercolour, a cottage and milkmaid by a bridge with cattle fording the stream, signed (46 x 70 cm), gilt frame

J. Knowles, after Gustav Klimt, 'Adele Bloch-Bauer (1907)', signed; together with a print after Henner and an oils on canvas, a kitchen scene with a grandmother making pancakes, by Mark Williams Langlois, signed (largest 60 x 50 cm), all framed (3)

Leo Gibbons Smith, acrylic on paper, 'The Tree of Life' (45 x 72 cm), framed; together with an abstract, acrylic on board, signed Morini and dated 1956, and three other framed modern pictures (5)

Three 19th century English school topographic landscapes, Ireland and Scotland, one inscribed 'Ben More 1855' and another 'Ballachulish' (largest 20 x 26cm), all framed (3)

Seven framed items comprising Robert Houston, an original coloured aquatint, 'Loch Lomond', signed in pencil in the margin, an Asiatic picture on textile of mallard, and five other prints (7)

A large collection of framed prints including fashion plates, a Pears print, Baxter prints, a modern British soft ground etching of an angler on the riverbank, indistinctly signed in pencil in the margin, etc. (quantity)

'An Historical Map & Plan of the Campaign in Belgium AD 1815…and of the Battle of Waterloo…' (72 x 58 cm), framed; together with a framed coloured print of ballerinas after Degas (2)

A large collection of old master and antique prints and engravings, including biblical illustrations, portraits, topographic and fashion plates, etc., dating from circa 1649 onwards (quantity)