A pastel of an artist at her easel, signed Birtwhistle (49 x 32 cm), an early 19th century Norwich school watercolour of boatmen on a river between houses, an artist's proof print, 'The Etruscans', by Kaia Meyer, signed, a sampler dated 1918, all framed, and an unframed oil of a woman on a Mediterranean terrace (5)
J. Kobell, an 18th century etching of characters in a tavern, c.1730, Francis Winter, a wood engraving, 'The Old Forge Bridge Street, Suffolk', signed in pencil in the margin, and a map of Durham, all framed (3)
Amelia Stokes, oils on board, "A Woodman's Cottage", signed, an 18th century hand-coloured engraved map of Hertfordshire by Richard Blome, and a flower print (largest 32 x 40 cm), all framed (3) [floor at end of collectors' shelves by jewellery]
A selection of 10 various framed items comprising prints, etching, a photograph, including a Fred Farell etching, an antique engraving, a map, film foyer cards, 'Orlando Bloom 75/500 Limited Edition Film Call' with two film stills, etc. (10) [end collectors' shelves by cafe door]
D.M.H. an oils on panel of snow-capped hills with church and cottages by a river, signed with initials and dated 2010, and a print view of Henley-on-Thames after Robert Davidson (largest 56 x 86 cm), both framed. (2)
After Capt. Ed. Handley-Ready, a portfolio, "The British Firing Line", 12 coloured prints (the folio is limited to 500 copies this being Number 17, signed by the artist, and including a photograph of the artist) 1917. [table opp. Collectors' shelves]
An antique hand-coloured engraved map of "Ireland" for the German market, from 'Kichen, Jeffreu's and Beaufort, 1804'. (Once owned by Lt. Colonel Arthur Kennedy, 18th Hussars, pen inscription on reverse "taken at the Battle of Vittoria, 21st June 1813.) (57 x 47 cm), framed.
An early 19th century oils on canvas portrait of the Revd George Bellasis (1730-1802), rector of Yattendon, vicar of Basildon and Ashampstead, Berkshire, after an earlier portrait (34 x 26 cm), framed.
A large miscellaneous collection of various framed items comprising prints, drawings, watercolours and oils that include landscapes, natural history subjects, a map, an equestrian portrait, etc. (quantity). [corner by table]
A selection of four framed small antique prints including Her Royal Highness the Princess of Wales, and Princess Charlotte, and an early 19th century coloured stipple engraving of a young boy with his mother at a table, probably after Adam Buck, verre eglomise surround (4)
Five framed late 18th century hand-coloured Italian engravings by Campanella after Mengs or Maron, of the frescoed interiors of the recently excavated ancient Villa Negroni at Rome, (largest 50 x 80 cm). (5) [end wall by silver-plate shelves]
M.W., a watercolour, "A carter's lane near Beer, Devon", signed with initials and dated 1891, W.H. Hinley, a watercolour, "A young angler by a lock gate", signed and dated 1886, and three "Spy" coloured lithographic caricatures. (5)
A pair of framed chromolithographs after G.W. Oswald, of Highland cattle in a landscape in summer and winter, both in gilt frames, together with an oils on board, Hussars and a gun carriage, unframed (3)
A collection of eight various pictures, comprising limited edition prints, oils, etc., and including Lafitte, a signed and numbered print, small craft in an estuary with blind stamp from Paris publishers (39 x 30 cm), framed (8)
J. Cluny (?), a pair of 19th century oils on canvas, study of a bird's nest amid blossom, and a still life of basket of strawberries, both signed, both framed, and a portrait of a medieval merchant, framed. (3)
After Cezanne a print of the Montagne Ste Victoire, after Vlaminck a pen and wash dining table still life, a coloured lithograph by Henry Mathews of The Royal East India Volunteers, 1797, and two others (largest 36 x 56 cm) all framed. (5)
David Shepherd, a limited edition coloured print "African evening – Zambezi waterhole", signed and numbered in pencil in the margin, and a Dennis Palmer oils on canvas of a Lancaster bomber, signed and dated 1979, and two other signed limited edition prints of wartime aeroplanes (with certificates) (largest 50 x 76 cm), all framed. (4)
Peter Fleming, pencil and wash sketch of summer flowers in a white jug, signed and dated 87 (76 x 56 cm), H. Cunningham, a watercolour, 'The Chinese Garden', signed, a signed limited edition print of harvest time, and a large Victorian chromolithograph of a child all framed; together with a vacant gilt gessoed picture frame (5),
William Lee-Hankey, R.O., R.W.S., R.I. (1869-1952), oils on canvas, 'Unloading the catch, Honfleur', signed (71 x 90 cm), framed, reverse with Paisnel Gallery label.
N.B. Droit de suite Royalty
Charges may apply