Category: Lots 101 – 200

N. Jones, a pair of unframed oils on canvas of lochside Highland pastures, each signed and dated 1908 (each 30 x 61 cm) (2)

After Raphael, three large 18th or 19th century engravings by Stefano Tofanelli, including of ‘The Parnassus’ fresco in the Vatican (each 56 x 74 cm), unframed mounted on backboards (3)

Rudolph Helmut Sauter, oils on canvas, a portrait of a woman in a Kashmir shawl and holding a flower, signed and dated 1923, period frame, and a framed oil on canvas portrait of Alexander Pope, signed with initials C.M. (largest 67 x 53 cm) (2)

Late 20th century Modern school works comprising a pencil and acrylic on linen semi-abstract nude study, two contemporary coloured prints including a trial proof by Jeffery Edwards, signed, and a watercolour, view through a studio window (largest 75 x 90 cm), all framed (4)

Geo Bols (?), oil on canvas, a heron at its nest with young, signed, circa 1900, (91 x 61 cm), unframed

A selection of 13 framed maps comprising antique and Victorian examples, etc., and including an antique engraved and hand-coloured map of Wales, one of ‘Somersetshire’, a C & J Greenwood map of Bedfordshire, a small map of the world, etc. (largest 57 x 68 cm) (13)

A rare and early 18th century map of 'La Haie' by N. de Fer (1705) (23 x 33 cm), framed

Robert Fowler, oils on canvas, an Irish lough with mountains in the background, signed (40 x 55 cm), framed

A collection of 14 various antique prints, etc., including late 18th century stipple engravings, Bartolozzi ‘Cupid and Psyche’, George Morland, Wheatley ‘Cries of London’, etc. (largest 43 x 55 cm) (14)

An oils on board portrait of a young lady, circa 1820, wearing a blue dress, and an oval portrait of a young woman in a white cap (largest 26 x 21 cm), both framed (2)

Kathleen Varley, watercolour, 'Fishing at Croxley', signed and titled in pencil on the mount (27 x 34 cm), framed; and a quantity of prints, etc., loose and framed, including limited edition prints: 'Peregrine Falcon' and 'Kestrel' after G. Benningfield, 'Hot House' after Ken Fleming, etc., all signed and numbered in pencil in the margin, etc. (quantity)

Stewart Hine, oils on unpainted board, two panels with gulls and terns, each signed and dated 10/71 and 9/72 (largest 86 x 37 cm), both framed, together with other works by Stewart Hine including an unframed oil of a soldier holding a falcon, two small framed oils of dolphins, and framed prints and pastels by other artists of birds, cats, seals, leopards, etc. (quantity)

Stewart Hine, oils on board, ‘Stained Glass with Girl’, signed and dated 10/80 (48 x 59 cm), reverse of frame with Mall Galleries exhibition label, and a quantity of other figure studies, some in landscapes, by Stewart Hine, many signed and dated, oils and watercolour, and including a study of a fireman at work, some loose; together with S.M. Robertson, oils, three choristers by candlelight, signed, framed (quantity)

Stewart Hine, watercolour, 'Kew Green', signed and dated 8/01 (28 x 38 cm), other watercolours by Stewart Hine, including of Parham House, Amberley Museum, etc., also three oils including two cityscapes, all signed and dated, and a Cornish watercolour by Sonia Robinson, all framed (9)

Stewart Hine, oils on board, 'Still life with almanac', signed and dated 10/81 (23.5 x 34 cm), framed, two other framed oils including one by J. Thompson, signed and dated 1981, three unframed watercolour still lifes and a pencil sketch of an old car; and 10 unframed oils by Stewart Hine, most signed and dated, including many marine landscapes and views of Snettisham Beach, Norfolk, the River Fal, and 'Houseboats, Bembridge' (16)

C. Fawcett, watercolour, cats and dogs in a conservatory, signed and dated '94 (34.5 x 44.5 cm), gilt frame; a pastel still life by Stewart Hine of a white azalea and oranges, signed and dated 1/00, other studies of flowers, landscapes including the Exe estuary, Rustington, Amberley, Hayling Island, etc., by Hine and other hands (14)

Pamela Derry, oils on board, 'Visiting Wales', signed (21 x 34 cm); Constance Lee, oils, 'Near Monterey', signed; a small oil of sailing boats at sunset, circa 1900; and Dorothy Watkins, gouache, 'Welsh mountains near Machynlleth', signed, all framed; together with a quantity of loose watercolours by Stewart Hine, some signed (quantity)

Dorothy Watkins, line and wash, 'Tenby Harbour', signed (29 x 36 cm), Stewart Hine, watercolours, some signed, aerial and coastal landscapes with aircraft, hot air balloon, sailing boats, etc., all loose; together with Stewart Hine, a quantity of unframed oils on board, most signed and dated, of a variety of aircraft including a rocket, and three white line drawings of sailing vessels (quantity)

Albert Taylor, watercolour, 'South Sands, Salcombe', signed, figures with dinghies drawn up on the beach (36 x 46 cm), other watercolours by Kenneth Brookes, harbour at low tide, signed, Stewart Hine, 'Tangalooma, Queensland', signed and dated, and other signed watercolours of nautical subjects and two of aircraft, one with parachute drop, by the same hand, all framed (9)

Stewart Hine, oils on board, ‘Dartmouth’, signed and dated 1/75 (39 x 59 cm), reverse of frame with Mall Galleries exhibition label; and three framed oils of harbour scenes by the same hand, all signed and dated, including ‘Low Tide, St Ives’ and ‘Inner Harbour, Alderney’ (4)

John Lawrence, oils on board, ‘A Suffolk Boatyard’, signed (30 x 44 cm), gilt frame, and Sheila MacLeod Robertson, smaller oils on board, ‘Sea-pool, Iona, Hills of Mull in distance’ and ‘Summer Evening, Porthcothan, Cornwall’, mounted as a pair in gilt frames (3)

Stewart Hine, oils on board, a collection of paintings of vintage and other aircraft, all signed and dated, and one watercolour, ‘In the last of the light’, all framed, various sizes (quantity)

Stewart Hine, oils on board, ‘Over the Needles, British-Norman Trislander’, signed and dated 5/92 (54 x 45 cm), and six other oils of aircraft by the same hand, all signed and dated, all framed (7)

Stewart Hine, oils on board, ‘Go, Bird, Go!’, showing Concorde at lift-off, signed and dated 5/91 (39 x 49 cm), and four further oil studies of aircraft by the same hand, all signed and dated, including ‘Fantasy after Nevil Shute (De Havilland 316 “Ceres” of the Queen’s Flight’, all framed (5)

Stewart Hine, oils on board, ‘Windsurfers, Angmering’, signed and dated 9/94 (16 x 24 cm), and eight other oils by the same hand, including ‘Raz Island, Alderney’, and a watercolour by Stewart Hine, ‘Clearing over Selsey’, signed and dated 7/93, all framed (10)

Stewart Hine, oils on board, a quantity of marine and nautical subjects, all signed and dated, including ‘Houseboats on the Adur’ and ‘Houseboats, Kew’ (each 24 x 34 cm approx.), both framed, remainder unframed

Stewart Hine, oils on board, ‘Woodbridge’, showing boats in the river at low tide, signed and dated 10/94 (38.5 x 49 cm), framed, and five further oils of marine and nautical subjects by the same hand, all signed and dated, including ‘The Ferry Boat Inn, Hayling Island’, ‘Cap de la Hague’, and ‘Quarter Flood, St Helen’s’, four framed (6)

Stewart Hine, oils on board, ‘Cadets at Keyhaven’, signed and dated 9/84 (39 x 49 cm), and four further oils of marine and nautical subjects by the same hand, all signed and dated, including ‘Windsurfers, Keyhaven’, with Mall Galleries exhibition label, all framed (5)

A large board-mounted photographic print, 'Piccadilly Circus', with two red London double-decker buses (97.5 x 137.5 cm)

Mid-20th century, oils on canvas, colourful abstract with kneeling figure (180 cm square approx.), slim wood frame

Late 20th/early 21st century modern stylised calligraphy white on deep blue, on canvas (243 x 160 cm), unframed [back of room by staircase]

Stewart Hine, oils on board, ‘Bareback, signed and dated 3/00 (29 x 39 cm), and 12 further studies by Stewart Hine, all signed and dated, including two further equestrian subjects and coastal landscapes with female figures, comprising 11 in oils and one watercolour, all well framed, some with Mall Galleries exhibition labels (13)

Stewart Hine, oils on board, ‘The Kite, East Head’, signed and dated 9/96 (43 x 59 cm), and four more oils by Stewart Hine, all signed and dated, including coastal landscapes of Winchelsea, all well framed, some with Mall Galleries exhibition labels, and a summer landscape with cyclists and pylons (5)

Late 20th/early 21st century modern black on white picture on canvas, manner of Richard Hambleton, "The Frenetic Drummer" (213 x 160 cm) unframed

A small selection of framed items including advertising material, a Lawson Wood 'thermometer' picture, athletic blazer badges, etc. (quantity)

Denys G. Wells, watercolour, showing restoration work on a Wren church, signed, together with other watercolours including an East European depiction of peasants with an ox cart stuck in the mud, and some 19th century watercolour landscapes (largest 50 x 72 cm) (12)

A collection of early 20th century nude figure studies in pencil on detail paper, and a Continental watercolour group (largest 40 x 59 cm) (quantity)

Advertising material relating to Bonnet Brut Vintage Saumur including five exceptionally large promotional posters (posters 177 x 120 cm) (quantity)

An interesting collection of vintage cinema posters including three for ‘Casino Royale’, Sean Connery ‘Thunderball’ and ‘Come September’ Gina Lollobrigida posters, etc., together with a collection of antique broad sheets, etc. (quantity)

Jeffery Edwards, four modern coloured prints, signed and numbered in pencil in the margin, other prints by Tricola Gresswell, Harry Wysoki, Toni Newman, etc. (largest 70 x100 cm) (quantity)

David Roberts, eight lithographs of the Holy Land and Egypt, together with four quarter-size lithographs, images within text (largest 37 x 52 cm) (12)

Harry Dixon, oils on board, study of a wood pigeon, signed and dated 1885, with a study of a lion recto, together with four oils on board comprising landscapes and a portrait (largest 60 x 180) (5)

A selection of watercolours by J. Lawrence Hart, Harold Stone, etc., including a 19th century watercolour of a Hindu temple near Bhooj, indistinctly signed, original artwork for a cartoon, and three watercolours by K. White including of the mail steamboat entering Marseilles (largest 34 x 43 cm) (10)

A folio of watercolours, drawings and oils, comprising landscapes, figure studies, coaching scene, etc., some 19th century, some signed (quantity)

Thomas Rowlandson (1756-1827), pen and ink, with watercolour wash, figures by a bridge, recto pen and ink figures by a manor house (11 x 18 cm)

Thomas Rowlandson (1756-1827), pen and ink, a dramatic Arabian scene (11.5 x 8 cm)

Thomas Rowlandson (1756-1827), pen and ink, a horse and cart with figures (8.5 x 14 cm)

Hubert von Herkommer, a drypoint etching portrait of a glowering figure, signed in the margin (9 x 11 cm)

Anders L. Zorn (1860-1920), etching on laid paper, 'Balance', signed in pencil in the margin (16.5 x 11.5 cm)

Anders L. Zorn (1860-1920), etching on laid paper, reclining nude, dated 1918 in the block, signed in pencil in the margin (18 x 24 cm)

Anders L. Zorn (1860-1920), etching on laid paper, two nude bathers by a lake, signed in pencil in the margin (18 x 11 cm)

After Anders Zorn, portrait print, signed in the block, titled indistinctly in pencil on the reverse 'Madame…' (?) (23.5 x 16 cm)

A collection of Baxter and Le Blond prints, 19th-century album 'scrap', and some written and printed ephemera (quantity)

W. Sawry Gilpin, a watercolour en grisaille, figures by a lake, together with five other late 18th-century pen and wash en grisaille watercolours including with a Welsh theme, ‘Tal y Llyn Vale, from the Llyn tri graienyn…miles from Dolgelli’, ‘The fall of the Lwgwg’, etc. (largest 29 x 42 cm) (6)

After Barraband, four coloured engravings of perching birds, and two John Gould coloured prints of birds including a lark (largest on a sheet 57 x 38 cm)

After Parmigianino, a sanguine and wash engraving by Mulinari, the Toilet of Venus, and an antique engraving of the Madonna and Child by Lodovico Carracci (largest 37 x 24 cm) (2)

Tatton Winter, a fine coloured etching, a rural idyll, signed in pencil in the margin (30 x 37 cm)

A collection of nine late 18th century – early 20th century coloured comical comment prints, mostly Rowlandson, including ‘A Barber’s Shop, also H. Bunbury, ‘A Family Piece’ (largest 24 x 34 cm) (9)

A folio containing a comprehensive selection of late 18th and 19th century engravings, lithographs, etc., British and Continental, with many topographical scenes, Hogarth narratives including after D.H. Fristan, ‘The Doctor’s Spell’, engraved by Edmund Evans (quantity)

After William Haygarth, a pair of early 19th century mixed method topographic prints engraved by and printed in sepia tones by Charles Turner: ‘Mount Pindus’ and ‘Ruins of a Temple’ (18 x 26 cm) (2)

A collection of 18th and 19th century prints in sanguine and sepia tones, including ‘Carnarvon Castle’ and another of ‘Cardiff Castle’ after Paul Sandby, after J.M.W. Turner ‘Clyde’, and a portrait of a moustachioed Turk by Francesco Bartolozzi, etc. (16)

After P.P. Rubens, an engraving by W. Hollar, putti with leopards, together with many other antique prints including after Raphael, ‘The Judgement of Paris’, an extensive landscape by Perelle, also after F. Parmigiano, I.W. Baus, and others (22)

An interesting miscellaneous collection of drawings and prints including pencil drawings from a Boer War artist’s sketch book, E. Prust pencil nude studies (circa 1942), coloured print in the oval, portrait of Horatio, Lord Nelson, engraved coats of arms, postcards, etc. (quantity)

A selection of various watercolours, pencil drawings, pen and ink drawings, and prints, including a portrait of Ben Jonson, a sanguine chalk drawing of a walk in the country, etc. (16)

Sir James Guthrie (1859-1930), pen and ink, 'Canal and bridge, Bruges', circa 1920 (from his sketch book)

Stefano della Bella, engraving, study of hands, and a pen, pencil and wash drawing of putti with a dolphin (largest 17 x 17 cm) (2)

Frank Brangwyn, a large etching, ‘Bootmakers’, signed with initials in the block and in pencil in the margin in full (45 x 54 cm), together with a lithograph, a goatherd playing the flute (published by ‘The Studio’ magazine) (2)

A selection of 10 Norman Howard coloured prints of industrial and agricultural scenes from around the world and a Carl Larson print, together with a Michael English ‘Ice Lolly’ poster circa 1972 (largest 62 x 90 cm) (12)

A large miscellaneous but comprehensive collection of mainly etchings, late 19th century to modern, including a William Nicholson woodcut of a lady archer, M. D’Oyly views of the Thames, J.W. Wiley, ‘Eros, Piccadilly’, Grace Myles, ‘Kingston Bridge’, David Suff flower studies, and many more (quantity)

John Lewis, acrylic on card, 'Globular Star Cluster NGC2419 as seen from an imaginary moon of Jupiter-type planet in the outer reaches of the Cluster' (published 1992), signed and dated 1991 (40 x 57 cm)

A large collection of antique engravings including topographical, Hogarth narrative series, etc. (quantity)

A folder of antique engravings comprising allegory, anthropology, portraits, etc., and including Old Testament scenes, a pair, ‘Aestas’ and ‘Ver’, an aquatint ‘The Premium Landscape’, a large engraving after Lancret ‘Le Maitre Gallant’, etc. (largest 38 x 44 cm) (28)

A collection of various antique prints and engravings including Piranesi ‘Veduta dell’Arco di Costantino, e dell’Anfiteatro Flavio detto il Colosseo’, Thomas Shotter Boys lithographs of London, a series of coloured prints after Pugin and Rowlandson, A.B. Rudge lithograph in colour of a coaching scene, etc. (largest 40 x 56 cm), all mounted (18)

A large selection of antique engravings, comprising four Rossini early 19th century views of ruins in Rome, a fine Italian copperplate 'Concert de Musique', sporting prints, naval battles, and much more (quantity)

A coloured mezzotint by P. Hampton Hart, 'The Connoisseurs', and another after Meissonier, 'The Letter Writer', both signed in pencil in the margin (largest 36 x 28 cm) (2)

A large mixed lot of 19th and early 20th century prints, drawings, watercolours and oils, including a Florence Wilson landscape, signed, topographical subjects, including rural Welsh landscapes, a sanguine chalk nude figure study, a lithograph of Augustus John by ‘Low’, and much more (quantity)

John Piper, a coloured lithograph of a church spire and surrounding buildings, signed and numbered 30/70 in pencil in the margin (46 x 56 cm)

After Aumonier, a sepia print, ‘Returning from Church’, signed in pencil in the margin, together with a larger sepia engraving after B.W. Leader, ‘A Wet Roadside’, a large print after W.L. Wylie, ‘Proclaiming Our Sailor King 1910’, two prints by Henry W. Batley, etc. (8)

After George Frederick Watts, a large steel engraving on vellum paper, 'Dwellers of the Ocean', signed in pencil in margin by the artist and engraver (37 x 51 cm)

A selection of comic book artwork, including Dr Who ‘The Cybermen’, ‘The Final Genesis’ and other storylines, together with a boxed set of limited edition artworks by Dong Chiang for ‘Star Wars episode 1, The Phantom Menace’, and a folio of various other commercial artwork sheets, etc. (quantity)

Two 1963 copies of Buck's 'Cities and Chief Towns in England and Wales' (1774) (2)

An interesting mixed lot of prints, drawings and ephemera, including Dormam (?), a print of ‘Chicago, Van Buren Street’, signed and titled in pencil in the margin, etc. (largest 40 x 32 cm) (quantity)

A large and comprehensive collection of 18th and 19th century prints, drawings and watercolours, including Victorian cottages and rural landscapes, small Middle Eastern views after David Roberts, figure studies, etc. (quantity)

Two late 18th century sepia engravings of Roman ruins engraved by J. Boydell (37 x 51 cm) (2)

After Guercino, two engravings of musicians, perhaps members of the Cornaro family, and of probably Artemisia Gentileschi with assistants, engraved by F. Bartolozzi (28 x 40 cm) (2)

A comprehensive and miscellaneous selection of 18th, 19th and early 20th century prints, drawings, watercolours, etc., including Victorian theatrical tinsel pictures, Edwardian advertising material, 18th century engravings, Baxter and Le Blond prints, many chromolithographical scraps for collectors’ albums, etc., etc., together with empty albums and scrapbooks, antique paper and an empty leather-bound presentation book, etc. (quantity)

A large leather folio/print bag plus others in canvas etc. plus a box of books and magazines on art.

‘Days in Catland with Louis Wain’, a Father Tuck’s Panorama card with Louis Wain cats and nannies, together with the cover of a Raphael Tuck & Sons Ltd ‘Pa Cats and Ma Cats and their Kittens’, containing a few damaged Louis Wain illustrations, etc.

'The Grammar of Ornament, Division II' by Owen Jones, 1856, with 19 illustrations

A good selection of 18th and 19th century prints, etc., including of Hyde Park Corner by Dagaty, a series of Welsh costume prints, etc.

Nine late 20th century pencil studies of birds by Silvia Baker, signed with initials S.B. (largest 27x 36 cm) (14)

An early 19th century watercolour, an Alpine scene; a 19th century English School misty Thames view; and a George Sheffield watercolour of an arched bridge over a brook (largest 37 x 53 cm) (3)

An interesting collection of 18th and 19th century pencil, pen and ink, and watercolour studies of figures, landscapes, portraits, etc. (quantity)

A good collection of various 19th century watercolours including topographical scenes, portraits, etc. (quantity)

A collection of 12 Kingston and Chiswick Thames views by Desmond Winissett, all titled and signed (largest 22 x 16 cm) (12)

An interesting mixed lot of prints, pencil drawings, pen and ink, and watercolours, including a selection of modern British gouache scenes in north-west London by Pat Davies, a 19th century rural landscape by E.T. Sturt, works by A. Bonheur, etc. (quantity)

Alphonse Legros, an etching ‘Le Retour du Bois’, signed in pencil in the margin, together with another etching of a woodland glade (largest 23 x 36 cm) (2)

H.W. Bunbury (1750-1811), watercolour, the faggot gatherer, signed (8 x 12 cm)

A 19th century pastel of a reclining nude, indistinctly signed (24 x 30 cm)

A late 16th/early 17th century drawing of Hephaestus and companions at his forge (31 x 35 cm)