Category: Lots 101 – 200

A set of Vanity Fair images of famous cricketers of the early 20th century, Colin Blythe, the Hon. Alfred Lyttelton, and Mr Hylton Philipson, comprising two coloured lithographs one by 'Spy', another by 'Apey', and a coloured reproduction (each 30 x 19 cm), all framed (3)

Francesco Pablo de Besperarto (1900-1963), oils on canvas, a pair of rocky Mediterranean coastal scenes with sailing boats, both signed, circa 1950 (45 x 56 cm), both framed (2)

Francesco Pablo de Besperarto (1900-1963), oils on canvas, a view of a Mediterranean bay from the coastal path, perhaps the Gulf of St Tropez, with villages and sailing boats, signed, circa 1950 (50 x 65 cm), gilt frame with foliate decoration

Liddle, oils on canvas, boulders on the shore line, an oils on board of palm trees at an oasis, a modern still life oils on canvas of bottles, and another oils on canvas (largest 88 x 74 cm), three framed (4)

Bazine, 'Le Breuil en Auge', a coloured etching of the village in a landscape, signed, titled and numbered 3/25 in pencil in the margin (28 x 38 cm), modern frame, and a collection of various modern and decorative prints, including military, nursery, etc. (quantity)

After Eckersberg, an early 19th century coloured engraving, 'Herkules – Loge 1 Rosenborg, Have' (22 x 29 cm), old gilt frame; together with Tauber Blanby (?), a coloured pastel portrait of a young boy, signed and dated 1950 (42 x 30 cm), framed (2)

A watercolour of sailing boats on a cloudy moonlit night (39 x 14 cm), gilt frame, a pair of Persian miniature paintings of a hunting scene and of a battle scene, a pair of late 19th century oils on board of sailing boats in rough seas, all framed, and an unframed print after Michelangelo (6)

Albert Pollitt, watercolour, sailing barges by a quayside, signed and dated 1914 (35 x 60 cm), carved gilt gesso frame; together with a late 19th century etching on textile of a gentleman seated with his pipe, signed Felix Oudart (?) in pencil, and a picture of a child knitting after E. Maison Kurt, both framed (3)

 

Florentine school, an antique oval oils on panel portrait of the Virgin (24 x 18 cm), in a Venetian-style painted and parcel gilt frame, and an overpainted print laid to canvas of the Mona Lisa, framed (2)

William Etty, an oils sketch on panel, part nude figure study (24 x 34 cm), framed, inscribed on the reverse and possibly from the Christies' 1850 sale of William Etty's studio